Covered Covered & Performed Scenes Premiere of New Work Concert
British Columbia Arts Council: Senior Scholarship (2013) (2014)
Canadian Centennial Scholarship Fund - Belle Shenkman Scholar for the Study of Arts (2014)
Royal Conservatoire of Scotland Trust (2011, 2012, 2013) (2014)
Sylva Gelber Music Foundation Award (2014)
Scotland Saltire Scholarship (2011) (2013)
Canadian Centennial Scholarship Fund (2012)
2nd Place - Ye Cronies Opera Award - Royal Conservatoire of Scotland (2015)
Finalist - Bampton Classical Opera Young Singers' Competition (2015)
2nd Place - Ye Cronies Opera Award - Royal Conservatoire of Scotland (2014)
1st Place - Governors' Recital Prize in Voice - Royal Conservatoire of Scotland (2012)
Commended - Margaret Dick Award for Voice - Royal Conservatoire of Scotland (2012)
"I don't know what pitch Cole Walton reached but she walked the stratospheric tightrope with astonishing ease." - Claire Seymour, Opera Magazine (2016)
"Barbara Cole Walton threw off the reams of coloratura with abandon and a lovely sweet tone..." - Opera Scotland (2015)
"The stand-out performance of the evening was Barbara Cole Walton as Thérèse / Tirésias. She managed to keep on top of the soaring score with absolutely sparkling singing." - Kelvin Holdsworth, Opera Britannia (2015)
"Barbara Cole Walton sang the entertainingly skittish maid Lisette." - David Smythe, Bachtrack (2014)
"Barbara Cole Walton was a star turn as the Queen of the Night, managing to get round those so-high top Fs." - David Smythe, Bachtrack (2012)
Canadian-British coloratura soprano Barbara Cole Walton graduated with distinction from the Alexander Gibson Opera School (Royal Conservatoire of Scotland), was listed on the Canadian Broadcasting Company’s 30 hot Canadian classical musicians under 30, 2016 edition, and is a musician for Live Music Now Scotland.
Her 2018/19 season includes singing Norina Don Pasquale in Wexford Festival Opera’s ShortWorks, covering Ice Anthropocene (Stuart MacRae) for Scottish Opera, reprising Blonde Die Entführung aus dem Serail at La folle journée in Tokyo with Diva Opera, and singing Amarilli Il pastor fido (Handel) with New Chamber Opera.
Previous operatic performances include singing Blonde Die Entführung aus dem Serail with Diva Opera; cover Controller Flight (Jonathan Dove) and cover Naiad/Echo Ariadne auf Naxos (Strauss) for Scottish Opera; Giannetta L'elisir d'amore in the New Generation Festival in Florence; Baucis Philemon and Baucis (Gluck) and Juno The Judgement of Paris (Arne) with Bampton Classical Opera; Berenice L'occasione fa il ladro, Isabella L’inganno felice, and Fanny La cambiale di matrimonio with Raucous Rossini; 3rd Wild Goose and cover Fido Paul Bunyan with British Youth Opera; and Eurydice Orphée aux enfers with FAVA Opera. At the Royal Conservatoire of Scotland she sang the title role in Les mamelles de Tirésias, Lisette in La rondine, and Königin der Nacht. Barbara has also sung chorus in La bohème and The Mikado with Scottish Opera and in La bohème with Pacific Opera Victoria.
Barbara is also a keen recitalist and soloist. Highlights on the concert stage include Handel's Messiah and Alexander's Feast; Bach's St John Passion; Haydn's Stabat Mater; Mozart’s Requiem, Mass in C minor, Regina Coeli in C, and Coronation Mass in C major; Saint-Saëns' Christmas Oratorio; Finzi's In terra pax; Schubert’s Mass in G major; and Pergolesi’s Salve regina in F minor.
Engagement with contemporary works include singing the title role in a Scottish Opera workshop of Delia (Tom Cunningham), as well as, the soprano roles in Rough for Opera’s workshop of The Doll Behind the Curtain (Amir Mahyar Tafreshipour). Barbara has performed with the Helios Collective in their Formations 2016, singing King Olaf in the opera For the Love of Thorstein Shiver (Alex Paxton) in London, and with ensemble KONTRASTE, singing My Illness is the Medicine I Need (Thomas Larcher) at the Nürnberg Tafelhalle, Germany. She performed the Canadian premiere of In the Dark (Tafreshipour), sung in Persian, for soprano and 6 clarinets.
Barbara is grateful for the generous support throughout her studies of the Sylva Gelber Music Foundation, the British Columbia Arts Council, the Canadian Centennial Scholarship Fund, the Hon. Isabel Catto OBE Memorial Scholarship, the Trades House Scholarship, the Leon and Thea Koerner Foundation, the Anne Clutterbuck Award, the Arnold and Anna Maran Scholarship, the Saltire Scotland Scholarship, and the Royal Conservatoire of Scotland Trust.
She holds a Master of Music in Vocal Performance from the Royal Conservatoire of Scotland and a Bachelor of Music in Vocal Performance from the University of Victoria, Canada, where she held the Bea Scott Scholarship in Voice and a British Columbia Arts Council Junior Scholarship.
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