Covered Covered & Performed Scenes Premiere of New Work Concert
Carolyn Holt and Richard Leach Give him this orchid 2017 audio
Carolyn Holt and Richard Leach Werther 2017
DipRAM award for outstanding performance - Royal Academy of Music (2017)
John McCormack Bursary (2015)
Mahler Prize - 1st Place - ESB Feis Ceoil (2016)
Irish Heritage Bursary - Irish Heritage (2015)
P.J. Geoghegan and Gus Smith Memorial Bursary - ESB Feis Ceoil (2015)
The Geraldine McGee Bursary (2015)
The Trench Award and Bursary - Birr Theatre & Arts Centre (2015)
"Among the secondary roles, Carolyn Holt as the voice of Antonia's mother stood out with her rich and seductive mezzo-soprano" - Bachtrack (2018)
"Bouquets to Carolyn Holt (Mrs Jones) for her Brooklyn accent and formidable presence" - Opera Magazine (2018)
"Carolyn Holt’s unsympathetic and shady Mrs Jones...is as oppressive as the city heatwave." - TheWeeReview.com (2018)
"Notable smaller parts include the young Irish mezzo Carolyn Holt as the voice of Antonia's dead mother" - The Irish Times (2018)
"A resonant mezzo-soprano voice that would sound great in any opera house." - Bill Witts (2017)
"Mezzo Carolyn Holt has a wonderfully dark, rich tone " - MusicDurham.co.uk (2017)
Mezzo-soprano Carolyn Holt recently graduated with Distinction from the MA at the Royal Academy of Music in London, where she was a Kohn Foundation Bach scholar and was awarded a DipRAM for outstanding performance, the Cork Scholarship and Isabel May Walton Scholarship. She previously studied with Mary Brennan (RIAM) and soprano Judith Mok in Ireland, Yvonne Howard and Iain Ledingham in London, and is now a member of the Alexander Gibson Opera School at the Royal Conservatoire of Scotland where she is studying with Scott Johnson and Duncan Williams.
Carolyn has had the opportunity to perform at some of the world's leading venues such as the Konzerthaus Berlin, the Royal Festival Hall and Wigmore Hall. Roles include Prince Orlofsky in Die Fledermaus (Winterbourne Opera), Donna Elvira (understudy, Opera Theatre Company), Sesto in Giulio Cesare (Scenes), Minskwoman in Dove’s Flight (Scenes), La Zia Principessa in Puccini's Suor Angelica (RIAM, National Theatre of Ireland), Mamma Rosa in Cilea's L'Arlesiana (Scenes), Bridesmaid in Weber’s Der Freischütz (Sir Mark Elder, Orchestra of the Age of the Enlightenment), and Zweite Dame in Die Zauberflöte (Scenes). Carolyn also recently performed in the chorus of Don Giovanni (OTC), May Night by Rimsy-Korsakov (Royal Academy Opera), Carmen (OTC) and John Adams' Nixon in China (Wide Open Opera). She premiered a new work as part of The Art of Chaos, presented by the Royal Academy of Music's Composition Department in association with Shoreditch Town Hall and appeared in the premiere of the award winning opera The Second Violinist by Donnacha Dennehy and Enda Walsh at the Galway International Arts Festival and Dublin Theatre Festival 2017. Other recent performances 2017 include the OTC Opera Hub's Showcase at the NCH, NI Opera Festival of Voice's Gala Final, Mahler's Lieder eines fahrenden Gesellen with the Esker Festival Orchestra in Galway, Cork and Dublin and performances at Electric Picnic's Hazelwood stage for the premiere of a new work devised by OTC's Opera Hub to accompany the classic silent horror film ‘The Cabinet of Dr. Caligari’.
Carolyn has performed internationally as a recitalist and soloist with various choral societies. Highlights include recitals at the Royal Overseas League with Irish Heritage, a recital for The Rudolph Kempe Society, Rossini's Petite Messe Solennelle (Choeur de Lux Aeterna, Normandy)(Wendover Chroal Society), Mozart’s Requiem, Elijah (Penzance Choral Society), Messiah (Edward Higginbottom, Oxford Voices and the Time and Truth Ensemble), soloist in Royal Academy and Kohn Foundation Bach Cantata Series, Chausson's Poeme de l'amour, Rutter’s Feel the Spirit (Chichester Cathedral), Dvořák's Mass in D major (Wexford Festival Singers), Sea Pictures with Lambeth Orchestra and recitals for Lismore Music Festival, Drogheda International Classical Music Series. Birr Arts Festival. and the John McCormack Society. She has participated in masterclasses with Ann Murray, Susan Bullock, Simon Keenlyside, Alison Browner, Iain Burnside and Roy Laughlin.
Carolyn is a regular winner in competitions both at home and abroad, most notably the inaugural Irish Heritage Bursary, The Trench Award and Bursary, the Geraldine McGee Bursary, John McCormack Bursary, Mahler Prize (ESB Feis Ceoil) and the P.J. Geoghegan Memorial Cup & Gus Smith Award (ESB Feis Ceoil). She has been a finalist in the Bernadette Greevy Bursary, Gervase Elwes Memorial Cup and John McCormack Bursaries in both 2015 and 2016.
She will make her debut with Irish National Opera in 2018 singing The Voice (Mother) in Offenbach's Tales of Hoffman.
Carolyn is generously supported by The Arts Council of Ireland and the Sybil Tutton Award.
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