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Eira Huse

Primary Skill:

Mezzo-Soprano

Nationality:

Norwegian

Country:

Norway

Languages (fluent):

English, Swedish, Norwegian, Danish

Opera

Dido
Dido and Aeneas (Purcell)
Ramme Gård Opera, Hvitsten/Oslo
2023
Wowkle
La fanciulla del West (G. Puccini)
The Verbier Festival
2021
Bastien
Bastien und Bastienne (Mozart)
Oslo Chamber Music Festival
2020
Un pâtre, la chatte, l'écureuil
L'enfant et les sortilèges (Ravel)
Opéra de Lyon
2019
Un pâtre, la chatte, l'écureuil
L'enfant et les sortilèges (Ravel)
Royal Opera House Muscat
2019
2nd woman / 2nd Witch
Dido and Aeneas (Purcell)
The Norwegian National Opera & Ballet
2019
Lady Capulet
Romeo and Juliet (Boris Blacher)
Opéra de Lyon's Opera Studio
2019
Ottavia
L'incoronazione di Poppea (Monteverdi)
Hampstead Garden Opera
2017
Bianca
The Rape of Lucretia (Benjamin Britten)
Lidal NORTH, The Norwegian National Opera & Ballet
2017
Sally
A Hand of Bridge (Samuel Barber)
Fagerborgfestspillene, Gamle Logen
2015
The Beekeeper, The Honeybee
Scenes from a Beehive (Eira Huse)
The Norwegian Academy of Music
2014

Art Song

Das Buch der hängenden Gärten
Das Buch der hängenden Gärten (Schoenberg)
Kammeroper Schloss-Rheinsberg
2019
Day-time recital at Oxford Lieder Festival 2018
Haugtussa (The Mountain Maid) (Edvard Grieg)
Oxford Lieder Festival
2018

Covered Covered & Performed Scenes Premiere of New Work Concert COVID-cancelled

Grieg

IMG 0053

IMG 1082

IMG 1085

IMG 9296

IMG 9372

Norsk Tonekunstnersamfund Stipendium for young musicians 2021 (2021)

Ruud-Wallenberg Fond (2017)

Sine Butenschön Fond (2017)

Sine Butenschön Fond (2016)

The Norwegian State's Artists Grant for Newly Educated Singers ("Diversestipend") (2016)

Ruud-Wallenberg Fond, awarded to a Swedish or Norwegian singer after live audition. (2015)

Competitions

Prize winner Kammeroper Schloss-Rheinsberg (2019)

Shared 1st Prize in the 1st NINA International Solo Competition in Bergen, Norway (2012)

"Als weiterer Höhepunkt brillierte feinsinnig die norwegische Mezzosopranistin Eira Huse mit «Sgombra è la sacra selva» aus Vincenzo Bellinis «Norma»." Berner Zeitung (2021)

"The Norwegian mezzo Eira Huse uses the opportunity to shine her warmly timbred and pleasantly vibrating voice in the melodies of Nadia Boulanger; her voice is moreover emitted with ease in each of the registers: The medium is fleshy, and the bass is assured. The artist proves herself to be fully convincing in the expression of lamentation, such as in Cantique with words by Maurice Maeterlinck, polished with a fair and precise attention paid to the nuances." - Olyrix, The Verbier Festival 2021 (2021)

Eira Huse is sculpting the silence of the famous "Morgen!" by Strauss, while Grieg grows from a game of hopscotch with consonants to an inner journey of joy that rustles!" - Opera Online, The Verbier Festival 2021 (2021)

Parmi les douze interprétations, toute différentes, et qui -fait remarquable- n’ont jamais lassé l’auditoire, on retiendra celle de la Norvégienne Eira Sjaastad Huse, pâle silhouette de légende aux cheveux de mousse empreinte de poésie. - Crescendo Magazine (2021)

…ebenso hervorragend Eira Sjaastad Huse (Die Andere Frau) - Opernglas, Dido and Aeneas, The Norwegian National Opera & Ballet (2019) (2019)

Ajouté au plaisir manifeste des chanteurs, parmi lesquels on retiendra notamment Erika Baikoff (Juliette) et Eira Huse (Lady Capulet), ce Roméo et Juliette est une réussite. - Le Zèbre, Romeo and Juliet`By B. Blacher, Opéra de Lyon / Théâtre de la Croix-Rousse (2019) (2019)

Eira Huse, chante avec conviction un Pâtre, puis joue la séduction et minaude dans le rôle de la Chatte, avant de proposer un Écureuil rond et enlevé. (2019)

La réussite provient avant tout de la troupe, très volontaire et animée, aux voix fines et articulées – en particulier le mezzo Eira Huse en Lady Capulet. Anaclase (2019) (2019)

Olyrix: Le quatuor vocal, composé d’Anna Cavaliero, Eira Huse (également Lady Capulet, au timbre chaleureux)… harmonise vaillamment des parties parfois difficiles, souvent a cappella. (2019)

"...The real stand-out for me was Eira Sjaastad-Huse’s Ottavia, whose deep, powerful voice brought clout to a character I usually find rather dull. Sjaastad-Huse’s acting also underlined the fact that Ottavia is not, as sometimes played, a purely wronged, virtuous figure."..."that smoky, burnished-bronze voice. Wow." www.theidlewoman.net (2017)

"For me, it was Swedish and Norwegian mezzo Eira Sjaastad-Huse who was my favourite. Her embodiment of the neglected empress Ottavia is captivated, more so is her voice, which is alluring and a pleasure to hear." - www.trendfem.com (2017)

..."The voices of Ottavia (Eira Sjaastad-Huse) and Ottone (Collin Shay) stood out in particular due to their timbre qualities." - www.playstosee.com (2017)

Bachtrack: "A thrillingly well-sung Ottavia from Eira Sjaastad-Huse, with extraordinary stage presence and a burnished, penetratingly full (mezzo-)soprano" (2017)

Opera Studio
Opera National de Lyon
2018–2019
Oxford Lieder Festival's Master Course with Anne Murray
Oxford Lieder Festival
2017
Master of Performance
Barratt Due Institute of Music
2014–2016
Two-year Opera Course, bachelor niveau
The Oslo Opera Academy / The Norwegian Academy of
2012–2014
Exchange Year, Undergraduate Performance of Music
The Royal Danish Academy of Music
2011–2012

Eira Huse - Mezzo-soprano

Often praised for her unique timbre and expression, the young Norwegian mezzo-soprano Eira Sjaastad Huse divides her time equally between opera and lieder. She recently sang Ottavia in Hampstead Garden Opera's production of L'incoronazione di Poppea by Monteverdi and recieved great reviews. She also performed Bianca in Britten's The Rape of Lucretia for Lidal NORTH at The Norwegian Opera & Ballet. She has performed together with Henning Kraggerud, Helge Kjekshus, Matti Hirvonen, Clemens Flick and Oliver John-Ruthven; her forthcoming engagements includes Dido (Dido and Aeneas) at Ramme Gård Opera in 2019. She will also return to Oslo Konserthus for concerts in the concert series Barnas Konserthusserie. Eira and paints Olga Jørgesen was chosen to participate in Oxford Lieder Festival's Master Course with Anne Murray, Eugene Asti and Roger Vignoles. Eira was one of 26 singers invited to participate in The Wigmore Hall/Kohn International Song Competition 2015 in Wigmore Hall.

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