Covered Covered & Performed Scenes Premiere of New Work Concert
Depuis le jour Charpentier Jeannette van Schaik
Tu che di gel Puccini Jeannette van Schaik
Dutch soprano Jeannette van Schaik received her vocal education at the Conservatory of Amsterdam where she studied with David Bollen and Sasja Hunnego. She recently graduated cum laude as a member of the Dutch National Opera Academy (DNOA), where she was being coached by Ira Siff, Nathalie Doucet and Peter Nilsson.
Recent highlights include Donna Anna in Mozart’s Don Giovanni, Contessa in Le Nozze di Figaro, 1e Dame in Die Zauberflöte, Dido in Purcell’s Dido and Aeneas and Click in the Dutch premier of Hanna Kulenty’s modern opera The Mother of Black Winged Dreams. As part of the Young Artist program she made her debut as 1st Madrigalist in Puccini’s Manon Lescaut at the Dutch National Opera. Last year she made her international role debut as Mimì in Puccini’s La Bohème at the Grand Théâtre de la Ville de Luxembourg.
During the 2017/2018 season she has sung Gretel in Humperdink’s Hänsel und Gretel with the NJO Muziekzomer Festival conducted by Antony Hermus, Mimì in Puccini’s La Bohème at the Bredeweg Festival Amsterdam, Governess in a concert version of Britten’s The Turn of the Screw and covered the role of Pamina in Holland Opera’s Die Zauberflöte.
Future engagements amongst others include Wheel of Fortune Woman in Frederick Delius’
A Village to Romeo and Juliet, Das Mädchen in Schreker’s Die Gezeichneten and Anna in Verdi’s Nabucco at the ZaterdagMatinee series in the Amsterdam Concertgebouw. She will also sing the New Years concert tour with the Residentie Orkest.
As a concert singer her repertoire includes Strauss’ Vier letzte lieder, Rossini’s Petite Messe Solennelle, Brahms’ Ein Deutsches Requiem, Verdi’s Messa da Requiem, Mahler’s Symphony no.4, Mozart’s Requiem and Krönungsmesse, Händel’s Messiah and the Weihnachtsoratorium and both St. Matthew and St. John’s Passion by J.S. Bach.
She has collaborated with orchestras such as the Nederlands Philharmonisch Orkest and Nederlands Kamerorkest, the Residentie Orkest, Tel Aviv Symphony Orchestra, Radio Filharmonisch Orkest, Nationaal Jeugd Orkest and the Sweelinck Baroque Orkest and had the pleasure of working with conductors such as Clark Rundell, Paul Nadler, Alexander Joel, Huba Hollóköi, Karel Deseure, Kenneth Montgomery and Antony Hermus and with stage-directors such as Waut Koeken, Javier Lopéz Piñón, David Prins, Andrea Breth, Alexander Oliver and Sybrand van der Werf.
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