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Photo: Katharine Davies

Kieran White

Voice Type:

Tenor

Nationality:

British

Country:

United Kingdom

Languages (fluent):

English

Opera

Arnalta
L’incoronazione di Poppea (Monteverdi)
Ensemble OrQuesta - Cockpit Theatre, Marylebone
2019
Acis
Acis & Galatea (Handel)
Ensemble OrQuesta
2018
Count Alberto
L’occasione fa il ladro (Rossini)
Raucous Rossini
2017
Hippolyte
Hippolyte e Aricie (Rameau)
Woodhouse Opera
2017
Sailor
Dido & Aeneas (Purcell)
Grange Park Festival
2016
Florville
Il Signor Bruschino (Rossini)
Raucous Rossini
2016
Ramiro
La Cenerentola (Rossini)
London Young Symphonia
2016
Renaud
Armide (Lully)
Woodhouse Opera
2016
Bertrando
L’inganno Felice (Rossini)
Raucous Rossini
2015
Bardolph
Sir John in Love (Vaughn Williams)
Royal Conservatoire of Scotland
2015
Edoardo
La Cambiale di Matrimonio (Rossini)
Raucous Rossini
2014
Ferrando
Cosi fan tutte (Mozart)
Opera dei lumi
2014

Contemporary Opera

Guaire
Mad King Suibhne (Noah Mosley)
Helios Collective
2017

Chorus

1 st Tenor Chorus
L’elisir D’amore (Donizetti)
New Generation Festival (Italy)
2017
1 st Tenor Chorus
Alcina (Handel)
Royal Academy of Music (RAO)
2016

Oratorio/Concerts

Soloist
B Minor Mass (Bach)
Three spires singers, Truro Cathedal
2018

Covered Covered & Performed Scenes Premiere of New Work Concert

...tenor Kieran White delivered the ‘lullaby’ with heart stopping beauty... [Plays to See] (2019)

...the most mesmerising moments are Arnalta’s lullaby, floating on Kieran White’s concentrated, linear tenor... [The Stage] (2019)

MA - Music Performance
The Royal Academy of Music
2015–2017
BMus with Honours
The Royal Conservatoire of Scotland
2011–2015
School
Wells Cathedral School
2000–2008

The English tenor, Kieran White graduated from The Royal Academy of Music achieving a Masters with distinction. Whilst at the Academy he held a Kohn foundation scholarship as a soloist in the Bach Cantata Series.
As a soloist Kieran works with many of the top leading ensembles in the UK and Internationally, including Amsterdam Baroque, Netherlands and Edvard Grieg Kor, Norway. He also performs with the Monteverdi Choir under John Eliot Gardiner and Copenhagen Soloists, Denmark.
He is particularly passionate about music from 16th, 17th and 18th Century, predominantly Bach’s Johannes & Matthäus Evangelists, performing in a number of venues across the United Kingdom and Europe, including Domkirke, Bergen and Kings College Chapel, London.
Kieran also performs on the operatic stage, particularly in the Early opera repertoire. Engagements include Arnalta L’incoronazione di Poppea in the Cockpit Theatre, Acis Acis and Galatea for Ensemble OrQuesta, Sailor Dido and Aeneas at the Grange Festival.
As a tenor with a high tessitura, he has been exploring the “Haute Contre” repertoire. He is working with the distinguished “Haute Contre” Jean-Paul Fouchécourt on specific projects/roles. He has performed Hippolyte Hippolyte e Aricie, Renaud Armide.
On the recital platform he enjoys collaborations with Elizabeth Kenny (lute/theorbo) and Zita Silva (Harp), he has performed with both in the Sherborne Music Festival.
This season and beyond concerts include Bach’s St Matthew Passion (Evangelist) under Iain Ledingham, Bach’s St John Passion (Arias) with Bristol Bach Choir, Handel’s Choice of Hercules with Benslow Music, Bach’s St Matthew Passion (Arias) with Copenhagen Soloists, Bach Cantatas with Amsterdam Baroque under Ton Koopman and making his debut with Gli Angeli in Geneva.
Swiftly acquiring recognition in the Baroque repertoire, Kieran has recently performed Monteverdi Vespro della Beata Vergine with Edvard Grieg Kor, Bach’s B Minor Mass with Bristol Bach Choir, Numerous Bach Cantatas with Hastings Philharmonic and Bach’s Magnificat with Bath Bach Choir.
Kieran is enjoying his life as a busy freelance tenor, he fills his time singing as a soloist in numerous countries including Norway, Denmark, Netherlands and UK.
When he is at home he can be found working on his fathers farm in Dorset, singing whilst getting the cows in.

www.kieranwhitetenor.com

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