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Photo: AP Wilding

Mimi Doulton

Primary Skill:

Soprano

Nationality:

British

Country:

United Kingdom

Languages (fluent):

English, Italian, German

Opera

Semele
L'Egisto (Cavalli)
Guildhall School
2017
Despina
Cosí fan Tutte (Mozart)
Guildhall School
2017
Iris
Semele (Handel)
Guildhall School
2016
Annina
La traviata (Verdi)
Opera Lyrica
2015
Bastienne
Bastien und Bastienne (Mozart)
Opera Alberelli
2014
Eurydice
Orfeo ed Eurydice (Gluck)
TimeZone Theatre
2014

Operetta/G&S

Helena
Al Noiva do Condutor (Noel Rosa)
King's Brazil Institute
2015

Contemporary Opera

Susan
A Dinner Engagement (Lennox Berkeley)
Guildhall School
2017
Angelika Meyer
Schutzwall (Jonathan Higgins)
Rough for Opera
2017
Soloist
King Harald's Saga (Judith Weir)
St John's Smith Square
2016
The Bride
Watch Me (Joe Steele)
Guildhall Opera School
2016
Soloist
King Harald's Saga (Judith Weir)
Wigmore Hall
2015

Early Music

Soprano Soloist
Nun komm, der Heiden Heiland; Wachet Auf (Bach)
Claygate Choral Society
2016

Art Song

Soprano Soloist
Lie With Me; Etuden (Warwick Blair)
Club Inegales
2017
Soprano Soloist
Lily hat sich von ihrem Abenteuer (Monika Dalach)
Wigmore Hall
2017
Soprano Soloist
Liederkreis Op. 39 (R. Schumann)
Royal Oversea's League Edinburgh
2016

Chorus

Chorus
La traviata (Verdi)
Opera Lyrica
2015
Chorus
King Arthur (Purcell)
Il Suono
2015
Chorus
Le nozze di Figaro (Mozart)
Hampstead Garden Opera
2013

Oratorio/Concerts

Soprano soloist
St John Passion (Bach)
St James's Piccadilly
2017
Soprano Soloist
Messiah (Handel)
Clarendon Events
2017
Mary
A Cotswold Romance (Vaughan-Williams)
Guildford Cathedral
2016
Soprano Soloist
Gloria (Vivaldi)
St James's Piccadilly
2015
Soprano Soloist
Messiah (Handel)
Christ Church Wimbledon
2015
Soprano Soloist
Stabat Mater (Pergolesi)
Corpus Christi Brixton
2014

Choral

Chorus
Requiem (Brahms)
Palau de la Musica, Valencia
2016
Chorus
Symphony No. 2 (G. Mahler)
Royal Festival Hall
2016

Discography

Soloist and chorus
In Memoriam (Various)
King's Chapel Choir
2015

Session Work

Chorus
Requiem (Rebecca Dale)
Apollo Voices
2017
Various
Snappy Operas (Various)
Mahogany Opera Group
2017
Chorus
Prodijig (Various)
Southwark Session Singers
2013

Covered Covered & Performed Scenes Premiere of New Work Concert COVID-cancelled

Bach: Blute nur

Sullivan: Poor Wandering One

Headshot

Headshot

Mimi Doulton then gave an astonishing and virtuosic staged performance of Judith Weir's King Harald's Saga... A real tour de force. http://www.planethugill.com/2015/10/toi-toi-2015-hugill-mosely-ergo-phizmiz.html (2015)

Doulton’s spellbinding voice stays composed as she writhes in desperation, pleading Orpheus to turn and look at her. http://www.fringeopera.com/reviews/review-orpheus-and-eurydice-time-zone-theatre/ (2014)

Mimi Doulton showcased a wonderfully rich and surprisingly mature voice as Eurydice. http://www.thepublicreviews.com/orpheus-and-eurydice-rose-theatre-bankside-london/ (2014)

The vocal power of the petite Mimi Doulton, a choral scholar at King’s College London who is reading Music with French and Russian, seemed literally, not merely metaphorically, from another world. Like many young opera singers of today her acting is also skilled. The sense of privilege at seeing this up-and-coming star play Eurydice in this setting was almost overwhelming. https://www.londontheatre1.com/news/87813/review-of-orpheus-and-eurydice-at-the-rose-playhouse-bankside/ (2014)

Extended Artist Masters
Guildhall School of Music and Drama
2015–2018
BMus Music with German and French
King's College London
2012–2015

Mimi Doulton is a soprano of British-Pakistani origin, with a particular interest in contemporary opera and song. She is a Live Music Now Artist, a Longborough Festival Emerging Artist, a Leeds Lieder Young Artist, an Opera Prelude Artist and a Park Lane Group Young Artist. In 2017/18 she was the vocal scholar at Fondation Royaumont’s Academie Voix Nouvelles, won third place at the Music Club of London Competition, and was a finalist at the Dean & Chadlington Competition.

In 2020, Mimi will be making role debuts as Jano in Jenufa (Fulham Opera), Lucia in The Rape of Lucretia (Palace Opera), Ilia in Idomeneo (Haslemere Symphony Orchestra) and Pepik in The Cunning Little Vixen (Longborough Festival Opera). She will also premiere the role of Maya in Tom Smail’s completed Blue Electric at the Playground Theatre, Latimer Road.

Recent engagements include cover Jerusha Cramer in Gerald Barry’s The Intelligence Park for Music Theatre Wales and The Royal Opera, Mabel in The Pirates of Penzance with Merry Opera Company, and creating the role of Mary in Wake with Birmingham Opera Company (directed by Graham Vick CBE). Mimi has also created roles in Blue Electric and Schutzwall at Tête a Tête, and developed new opera with the Royal Opera, Mahogany Opera Group, and Snape Maltings.

As a recitalist she has premiered works at venues including Wigmore Hall, Club Inégales and Fondation Royaumont. She was part of the London Symphony Orchestra's 'This is Rattle' Festival in 2017/18, and performed Copland's 12 poems of Emily Dickinson in the Barbican Hall as part of the orchestra's Bernstein Centenary celebrations. Recital repertoire for the 2019/20 season includes Messiaen’s Chants de terre et de ciel, Richard Strauss’ Ophelia Lieder, and Ravel and Debussy’s settings of Stephane Mallarme.

She graduated from the Guildhall School of Music and Drama with distinction in 2018, where her studies were supported by the Guildhall School Trust, the Humphrey Richardson Taylor Trust, the Mario Lanza Educational Foundation, the Charity of Mary Barnes, and three private donors. Previously, Mimi was the Helen Hudson choral scholar at King's College London, graduating with first-class honours in Music and Languages in 2015.

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