Hilda Anderson Dean Prize for Historical Performance (Commended) (1996)

Michael Head Prize for 20th Century Song (Very Highly Commended) (1996)

Helen Eames Prize for Early Music (Highly Commended) (1994)

Suzanna studies singing with Cathy Pope. Previously, she studied with Janice Chapman and at the Royal Academy of Music, with Valerie Masterson and Kenneth Bowen.

Operatic roles include Giorgetta in Puccini's Il Tabarro (Harrow Opera), Azucena in Verdi's Il Trovatore, Annina in Verdi's La Traviata and Hata in Smetena's Bartered Bride (for Brent Opera), Duchess of Plaza Toro in the Gondoliers and Mama Lucia in Cavalleria Rusticana for Southgate Opera, Donna Elvira in Mozart’s Don Giovanni on tour with Felici Opera with a performance at Hatfield House. Countess Almaviva (Rosina) in Mozart’s Marriage of Figaro on tour with Felici Opera.
Ludmilla in Smetena’s Bartered Bride (Almaviva Opera) and Belinda in Purcell’s Dido and Aeneas, on tour in Catalonia, Spain, directed by Nigel Rogers.

Oratorio repertoire includes Dyson Hierusalem, Mozart Exsultate Jubilate and Rutter Requiem, (London Choral Society/Ronald Corp). In Honneger’s dramatic oratorio, ‘Joan of Arc at the Stake’, she sang the Virgin Mary (Crouch End Festival Chorus/David Temple).

Suzanna gives regular recitals for the ‘Friends Music’ Series in Welwyn Garden City. She sings with the Ensemble of St Luke’s Quartet in Merseyside, and with Occasional Strings in London and Hertfordshire.

She has sung in masterclasses for Nicolai Gedda, Robert Tear, Jill Gomez, Valerie Masterson, Nigel Rogers and Denis Stevens and has been the featured artist with the North London Philharmonia.

Suzanna balances her opera, oratorio, and recital career with singing teaching, in Hertfordshire, where she lives with her husband and two daughters.

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