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Tom Morss
Languages (fluent):
English, Italian, Spanish
Albert Herring, Hampstead Garden Opera: "Tom Morss is a close to perfect Albert. Legomanlike, with a yearning tenor that bespeaks years at the sweet-shop window, he busts out in fine style for his second act rampage." Keiron Quirke for The Evening Standard. (2015)
Albert Herring, Hampstead Garden Opera: "Tom Morss is a simply wonderful Albert.. –hangdog and befuddled until his transformation during one night in Bangkok, Suffolk-style, he characterised him brilliantly." Mark Valencia for whatsonstage.com (2015)
Madame X, Grimeborn Festival: "“..a gentle and self-effacing presence on stage..communicating a sense of bewildered humility and inner conviction which gave Masetto artistic intensity and conviction..a highly effective, emotive performance. In one beautiful aria, when he was finally allowed a whole text (first set to music by Dowland) with which to express his emotions, Morss sang with a stunning plangency which was well worth staying for, and heralds an exciting ability." Charlotte Valori for bachtrack.com (2014)
The Coronation of Poppea, Rydedale Festival Opera: “Tom Morss, in drag as..nurse Nutrice, provides a witty foil to Ottavia’s grim gloom, complete with lumbago, corns and earthy advice which provokes much laughter.” Charlotte Valori for bachtrack.com (2014)
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