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Vasili Karpiak
Languages (fluent):
English, Russian
E lucevan le stelle
La dolcissima effigie
Nessun Dorma
Parla mi d'amore, Mariu
Tu ca nun chiagne
"Alberto, who quickly (immediately!) falls for the lovely Doralice when spurned by Lisetta, is Vasili Karpiak, whose Italian is perfect, and whose sweet tenor seems made for this repertoire. In a thrilling performance, Karpiak’s good looks and stage presence endear him immediately to the audience." OPERA: "La gazzetta" G.Rossini SOURCE: "Bachtrack" The classical music website AUTHOR: By Charlotte Valori (2014)
"Vasili Karpiak's Brazilian millionaire, presented as a leather-clad Johnny Hallyday(don't ask why) was special bonus pleasure)." OPERA:"La Vie parisienne" J.Offenbach SOURCE: Opera in Britain"Opera" The world's leading opera magazine AUTHOR:By PETER REED (2013)
"Best of all was Vasili Karpiak's Basilio (the music master) who was finally played as I always have wanted to hear him - as an italianate bel canto tenor, with a sob in the voice, every phrase milked for its lyricism, and with the occasional interpolated high note. He was also subtly characterized in actions too in a character that often barely registers. Great stuff." OPERA: "Le Nozze di Figaro", Mozart. SOURCE: "Capriccio".Opinionated London classical music and opera blog. (2012)
"I instantly recognised Vasili Karpiak's voice again with its throbbing Italianate legato .." OPERA: Monteverdi's L'incoronazione di Poppea SOURCE: "Capriccio" Opinionated London classical music and opera blog. (2012)
"Of the male singers, Vasili Karpiak made a particularly strong impression with his brief appearance as a Soldier – his bell-like, clear tenor tone caught my attention straight away." OPERA: "L'INCORONAZIONE DI POPPEA"Monteverdi. SOURCE: "Bachtrack"The classical music website AUTHOR: By Dorothy Wilson (2012)
"Vasili Karpiak’s Basilio was an intelligent, often finely-drawn, portrayal, considerably more subtle than the caricatures one often encounters." OPERA: "Le nozze di Figaro"Mozart. SOURCE: "Seen and Heard International" AUTHOR: Mark Berry (2012)
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