Auditions View all

United States

Keystone Opera www.keystoneopera.com/summer-intensive

Soprano; Mezzo-Soprano; Contralto; Countertenor; Tenor; Baritone; Bass-Baritone; Bass

Fees to pay

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Looking to take your career to the next level? Join us for an incredible opportunity to perform a FULL ROLE in Mozart's Le Nozze di Figaro!

This is an EASY application with NO FEE. - You just fill out a short form on our website: www.keystoneopera.com/summer-intensive.

You need a link to a video of you singing an Italian song or aria. If you DON'T have a recording yet, you can schedule a Zoom call and do a quick live stream session so we can get to know your voice and level. We are also happy to talk to you on Zoom or phone and answer any questions you might have. We also will happily email back and forth with you. We know this is a big investment, and we want to assure you it is worth it! We are happy to spend as much time as you need chatting and having questions answered!

This is more than just learning a role — it's your chance to dive deep into character development and master Italian recitative with expert coaching in both acting and vocal technique . We also know that you are auditioning us in as much as we are auditioning you! So please don't be afraid to ask a lot of questions. We want to provide you with a wonderful experience that will elevate your career.

We think beyond traditional gender roles, and we NEVER EVER discriminate based on age, race or physical appearance.

Work alongside a skilled orchestra and elevate your craft to new heights. Learn a new part, or reprise and refine a staple role in your repertoire. Either way we are here for you.

Check out the roles we are are casting.
** If you're a transgender performer and feel your voice suits a particular role, regardless of whether it's higher or lower than traditionally cast, we encourage you to apply. Even if we haven't indicated it on the following list, we're open to considering all possibilities and aren't afraid to break with tradition if it fits within the overall cast. Your talent and fit for the role are what matter most to us!**

1. Figaro
Voice Type: Bass/Baritone
Description: The witty and resourceful servant of Count Almaviva, Figaro is central to the plot as he tries to outsmart his master, who is attempting to seduce Figaro's fiancée, Susanna. He is clever, loyal, and determined to protect his relationship.

2. Susanna
Voice Type: Soprano
Description: Figaro’s fiancée and the Countess’s maid. Susanna is sharp, quick-witted, and plays a significant role in the schemes to foil the Count’s advances. She is practical yet full of charm and grace.

3. Count Almaviva
Voice Type: Baritone
Description: A nobleman who is married to the Countess but is infatuated with Susanna. The Count is arrogant, entitled, and believes he can get whatever he wants, though he is often thwarted in his efforts.

4. Countess Almaviva
Voice Type: Soprano
Description: The wife of Count Almaviva. Despite her husband's infidelity, the Countess is dignified, graceful, and still in love with him. Her character displays vulnerability but also strength, as she conspires with Figaro and Susanna.

5. Cherubino
Voice Type: Mezzo-soprano (pants role) (We will also consider Soprano or Counter Tenor for this role)
Description: A young page working for the Count, Cherubino is full of youthful energy and infatuated with all the women around him. As a “pants role,” this is a young male character traditionally played by a female singer.

6. Marcellina
Voice Type: Mezzo-soprano. (we will also consider Contralto or Tenor for this role)
Description: A woman of the Count’s household who initially tries to marry Figaro by claiming he owes her a debt. However, it is later revealed that she is actually Figaro's mother, adding a comedic twist to her character.

7. Bartolo
Voice Type: Bass
Description: A doctor from Seville and former guardian of Rosina (now the Countess), Bartolo seeks revenge on Figaro for helping Rosina escape and marry the Count. His character is often portrayed as somewhat grumpy but also comical.

8. Basilio
Voice Type: Tenor (we will also consider Soprano for this role)
Description: The music teacher and gossip of the household. Basilio plays a secondary role but often stirs the pot with his meddling, adding tension to the plot.

9. Barbarina
Voice Type: Soprano (we will also consider any Treble voice for this role)
Description: The young daughter of Antonio, the gardener. Barbarina is in love with Cherubino and plays a minor but sweet role in the opera, helping to move the story along.

10. Antonio
Voice Type: Bass (alternatively, in our production, we will consider Contralto for this role)
Description: The gardener of the Count’s estate and Barbarina’s father. He’s a comic character who dislikes Figaro and is suspicious of his schemes.

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To apply for this opportunity, please either sign in to your account at the top of this page, or create your new singer account.