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Anna Gomà

Voice Type:

Mezzo-Soprano

Nationality:

Spanish

Country:

Germany

Languages (fluent):

English, Italian, German, French, Spanish

Opera

Siébel
Faust (Gounod)
Teatro Amazonas
2018
Carmen
Carmen (Bizet)
Opera Classica - Germany
2018
Lola
Cavalleria Rusticana (Mascagni)
Sala Mozart
2017
Apollo
Apollo er Hyacintus (Mozart)
UJA
2017
Flora Bervoix
La travita (Verdi)
Sala Mozart
2016

Oratorio/Concerts

Mezzo Soloist
Requiem (Jenkins)
Auditorio Nacional de Madrid
2018
1st Alto solo
Stabat Mater (Rossini)
Auditorio Manuel de Falla
2017
1st Alto solo
Requiem (Mozart)
Orquesta de Priego
2017

Covered Covered & Performed Scenes Premiere of New Work Concert

3F79E328-8B50-4723-966E-D3DAE4C108A4

4F77B303-1623-47CC-BE5D-6BC301AD4B6A

813FBC80-58DE-480D-96B4-13A19A088067

86E5CDF2-D550-4BCB-8FA6-096CAB17FEEA

Ópera Awards Foundation bursary (2018)

Competitions

Special Price Rubinstein Akademie - Düsseldorf (2018)

Jury Price - Concours Canari (2017)

Opera Saõ Paulo - Opera Tenerife competition (2017)

1st Price - Elsa Respighi - Verona (2016)

“A Faust worthy of the great international theaters. The leading quintet was, by all indications, chosen by finger. Beginning with the fact that everyone had an excellent French pronuntation, which is increasingly rare in the theaters of the world. Anna Gomà, Spanish, made a lovely Siebel, Funny. He seemed really a shy teenager, clumsy and full of love” www.concerto.com.br (2018)

The Catalan Anna Gomà Curtiella takes on the role of the spirited and prickly Carmen. Expressively, she embodies the emotional ups and downs that she experiences and masters the French language perfectly, so that she convinces with both vulgar phrases and charming parallels. Then there is her colorful mezzo-soprano, which the audience particularly hails for the famous Habanera." WIESBADENER TAGBLATT (2018)

The Spanish mezzosoprano Anna Gomà sung with relevance. The figure is graceful, teh voice sweet and the actress valid.” Opera Italia (2018)

The "discovery" of the afternoon was Anna Gomà from Barcelona, ​​a professional who was already in Gijón and who on Tuesday became the voice of the recital from her first two interventions (in third and fourth place), first with opera arias with Massenet, Va! Laisse couler mes larmes of "Werther", and a Carmen de Bizet overwhelming in the "Bohemian Song", felt, dramatized, fleshy vocal color and equal in all the registers; later two zarzuela romanzas in the fourteenth number and closing the recital, new demonstration of good singing and feeling, Cuando está tan hondo of "El barquerillo" (Chapí) and a Que te importa que no venga... of "Los claveles" ( Serrano) that literally lifted the audience from the seats." Pablo Siana (2017)

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