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Photo: Chancelor Barbaree Photography

Catherine Moss

Primary Skill:

Soprano

Nationality:

American

Country:

France

Languages (fluent):

English

Opera

Violetta Valéry
La Traviata (Giuseppe Verdi)
Gala de la Voix
2026
Rosalba
Florencia en el Amazonas (Daniel Catan)
Maryland Opera Studio
2024
Zerlina
Don Giovanni (Mozart)
Maryland Opera Studio
2023
Gretel
Hansel and Gretel (Engelbert Humperdinck)
Shakespeare Opera Theater
2023
Miss Wordsworth
Albert Herring (Benjamin Britten)
Maryland Opera Studio
2023
Königin der Nacht/ Queen of the Night
Die Zauberflöte (Mozart)
Music On Site
2021
Norina
Don Pasquale (Gaetano Donizetti)
University of Michigan
2021
Old Woman/Papagena/Chorus
Die Zauberflöte (Mozart)
Opera NEO
2020
Oberto
Alcina (Handel)
University of Michigan
2019

Operetta/G&S

Josephine
H.M.S. Pinafore (Sullivan)
University of Michigan Gilbert & Sullivan Society
2021

Contemporary Opera

Older sister/Parent A
Twa: A Murder Ballad (Justine F. Chen)
Maryland Opera Studio
2022
Claudia
The Daughters of the Bloody Duke (Jake Runestad)
University of Michigan
2020
Mother of Trees
Michigan Trees: A Guide to the Trees of Michigan (Grey Grant)
Fifth Wall Performing Arts
2019

Early Music

Soprano Soloist
Come Ye Sons of Art (Henry Purcell)
STAMPS Auditorium
2019
Soprano Soloist
Singet dem Herrn (Dietrich Buxtehude)
University of Michigan Early Music Department
2019

Musical Theatre

Carlotta
The Phantom of the Opera (Weber)
MPP Productions
2018

Oratorio/Concerts

1rst Soprano Soloist
Stabat Mater (Giovanni Battista Pergolesi)
Church of the Epiphany
2024
Treble soloist
Rejoice in the Lamb (Benjamin Britten)
Church of the Epiphany
2023
Soprano Soloist
Requiem (Faure)
Hill Auditorium
2019
Art song and Opera recital
Fairytales and Folklore (Varius)
University of Michigan
2019

Theatre

Katharina Cavalier, soprano soloist
Amadeus (Excerpts from Mozart's works)
Saginaw Bay Symphony Orchestra
2021

Various/Mixed

Soprano Soloist/Lecturer/Researcher
Samuel Barber: A Vocal Portrait (Samuel Barber)
University of Michigan
2018

Covered Covered & Performed Scenes Premiere of New Work Concert COVID-cancelled

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Norina

In one of the most dazzling scenes, Salieri breaks the fourth wall to address the crowd, fuming with jealousy over a piece Mozart has composed. It featured Catherine Moss, a stand out among a superb group of guest vocalists. The orchestra struck up, she strutted to center stage and let out one of the most beautiful musical phrases one could even imagine. The players looked on. The scene concluded with Emperor Joe telling Mozart he uses “too many notes.” This got a great laugh from the audience. One of many, many laughs and responses from a very enthusiastic crowd. (2021)

Kudos to baritone Luke Harnish and soprano Catherine Moss for their agile comedy and vocal elan as Mozart’s romantic commoners... (2020)

Artistic Diploma
École Normale de Musique Alfred Cortot
2025–2027
Masters of Music
Maryland Opera Studio
2022–2024
Bachelor of Music, Voice Performance
University of Michigan
2016–2021

Catherine Moss is an American soprano based in France. Her notable appearances include die Königin der Nacht (Die Zauberflöte), Miss Wordsworth (Albert Herring), Gretel (Hansel und Gretel), Norina (Don Pasquale), and Rosalba (Florencia en el Amazonas). Her concert work includes performances as the soprano soloist in Beethoven’s 9th Symphony and Amadeus (Saginaw Bay Symphony Orchestra), Rejoice in the Lamb (Church of the Epiphany), and in the University of Maryland’s Bach Cantata series. She appeared as a young artist for the Taos Opera Institute and an apprentice artist with Opera NEO. She is the winner of the prix du jury for le Gala de la Voix and University of Michigan Friends of Opera Competition, and two time national semi-finalist for the Camille Coloratura Award.

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