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Courtney Daniels
Languages (fluent):
English
Opera
Operetta/G&S
Art Song
Covered Covered & Performed Scenes Premiere of New Work Concert COVID-cancelled
Second Place Prize in the 2022 Medici International Music Competition (Professional Division) (2023)
First Place at the 2022 American Protégé Vocal Competition (Amateur-Operatic Aria Division) (2022)
First Place at the 2022 SFBAC NATS Classical Singing Festival Competition (2022)
Gold Medal Winner for the 2022 World Classical Music Competition (Classical Vocal Division) (2022)
Soprano, Courtney Daniels, has impressed audience members with her charismatic stage presence and powerful voice. As Donna Elvira, “Daniels wowed the crowd in her love/hate relationship with [Don] Giovanni and the crowd went wild when she sang her powerful aria [mi tradi quell'alma ingrata] during the Second Act” (Davis Tribune). Her love for the art is evident in the passion she brings to each and every character she plays, aided by velvet tones, soaring high notes and an agile upper register.
Courtney’s love of opera began at an early age. Her first exposure to opera was at the age of seven when she watched the entirety of Madame Butterfly on PBS, reading all of the subtitles and discussing the material with her babysitter. Courtney’s interest continued once her family moved to Nashville, where she continued to study voice and at 16 was the youngest chorus member of the Nashville Opera’s production of Aida.
Recently, Courtney made her international debut in Berlin, singing Suor Genovieffa in Suor Angelica, where she also workshopped and performed excerpts of Die Fledermaus, as Rosalinde. Additional roles performed include: Marguerite in Gounod’s Faust, Donna Elvira in Mozart’s Don Giovanni, Nedda in Pagliacci (Act I for Scenes Production); Adina in Donizetti’s L’elisir d’amore, La Frugola in Puccini’s Il tabarro, and the High Priestess in Verdi’s Aida. When not performing, Courtney enjoys horseback riding and spending time with her husband Jeff and their “fur-children.”
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