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David Bergman

Primary Skill:

Tenor

Nationality:

Swedish

Country:

Sweden

Languages (fluent):

English, German, French, Swedish

Opera

2nd Tenor Chorus
AIDA (Verdi)
Savonlinna Opera Patrons Association
2022
2nd Tenor Chorus
Carmen (Bizet)
Savonlinna Opera Patrons Association
2022
2nd Tenor Chorus
Tosca (Puccini)
Savonlinna Opera Patrons Association
2022
2nd Tenor Chorus
La Traviata (Verdi)
Savonlinna Opera Patrons Association
2021
2nd Tenor Chorus
King Roger (Szymanowski)
Savonlinna Opera Patrons Association
2020
2nd Tenor Chorus
Rigoletto (Verdi)
Savonlinna Opera Patrons Association
2019
2nd Tenor Chorus
The Barber of Seville (Rossini)
Savonlinna Opera Patrons Association
2019
2nd Tenor Chorus
The Abduction from the Seraglio (Mozart)
Savonlinna Opera Patrons Association
2019
Peter Quint
The turn of the Screw (Britten)
Årsta Theatre
2017
Le Chevalier
Dialogues of the carmelites (Poulenc)
Årsta Theatre
2017
Bajazet
Tamerlano (Handel)
Årsta Theatre
2016
Monostatos
The Magic Flute (Mozart)
Årsta Theatre
2015

Covered Covered & Performed Scenes Premiere of New Work Concert COVID-cancelled

Opera courses
Stockholm Opera College
2018–2022
Opera education
Stockholm Opera Studio
2012–2017

Dear Sir/Madam,
The allure of opera, apart from the beautiful music itself, is the powerful stories about people and their destinies that play out on stage. It is the opportunity to be involved in shaping these stories that has driven me to develop as an opera singer.

An opera production is a team effort. Team cooperation has been a prerequisite for success throughout my life. I have sung in several choirs, collaborated with colleagues in my role as a medical doctor and immersed myself in group and team development both in research and in practice.

To develop as a singer, I have regularly taken solo singing lessons from experienced and well-reputed singing teachers and trained at the Stockholm Opera Studio and the Academy of Opera in Stockholm.

Since 2019, I have had assignments in the Savonlinna Opera Festival Choir, which has given me enriching stage experiences from a total of 40 performances of Aida, Carmen, Tosca, Rigoletto, The Barber of Seville and The Abduction from the Seraglio as well as from rehearsal work for King Roger and La Traviata.

My studies, life experiences and my work as a child psychiatrist help me to empathetically depict the fates of characters.
I hope that my singing and my background fit your requests.

Stockholm 8th of November 2022
Kind regards,

David Bergman

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