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Emily Mitchell

Voice Type:





United Kingdom

Languages (fluent):



Turandot (Puccini)
Scottish Opera
Gianni Schicchi (Puccini)
Opera Bohemia
Sandman and Dewfairy
Hansel and Gretel (Humperdink)
Aberdeen Internatoinal Youth Festival
Pelleas et Melisande (Debussy)
Meadows Orchestra
Fidelio (Beethoven)
Orchestra and Chorus of the Canongate
Midsummer Nights Dream (Britten)
Royal Scottish Academt of Music and Drama
Cosi Fan Tutte (Mozart)
British Youth Opera
Countess Almaviva
Marriage of Figaro (Mozart)
Royal Scottish Academy of Music and Drama

Early Music

Infurore Iustissimae Irae (Vivaldi)
Dunedin Consort
Virgin, Philistine
Samson (Handel)
Dunedin Consort, Konzerthalle Ulrichskirche, Halle
2nd Soprano -soloist
St Matthew Passion (Bach)
Dunedin Consort, Queens Hall, Edinburgh
1st Soprano Soloist and Chorus
Messiah (Handel)
Dunedin Consort, Antwerp
Soprano Soloist
Tilge, Höchster meine Sünden (Bach)
Dunedin Consort
2nd Soprano
B minor Mass (Bach)
Dunedin Consort, WIgmore Hall
1 st soprano Chorus
St John Passion (Bach)
Dunedin Consort, Albert Hall, The Proms
Gloria, Infurore Iustissimae Irae, Laudate Dominum (Handel, Vivaldi, Mozart)
Württemburg Kammer Orkester

Art Song

1st Soprano Soloist
Nuit D'etes (Berlioz)
Edinburgh Symphony Orchestra
Scots and Irish Songs (Beethoven and Haydn)
Kreissparkasse, Heilbronn


Soprano Soloist
Hogmanay Concert (Various)
Royal Scottish Chamber Orchestra
Soprano Soloist
The Voice of Our Ancestors (Thea Musgrave)
Edinburgh Royal Choral Union
Soprano Soloisy
Far Theatricals of Day (Jonathon Dove)
Edinburgh Royal Choral Union
1st Soprano Soloist
Hymn of Praise (Mendelssohn)
Royal Scottish Chamber Orchestra
Soprano Soloist
Symphony No.4 (Mahler)
Mahler Players
Soprano Soloist
Creation (Hadyn)
Edinburgh Royal Choral Union, Paisley Abbey
Seven Early Songs (Berg)
Wigmore Hall, London
1st Soprano Soloist
Nelson Mass (Haydn)
Edinburgh Royal Choral Union
1st Soprano Soloist
Elijah (Mendelssohn)
Canterbury Cathedral
1st Soprano Soloist
Serenade to Music (Vaughan Williams)
BBC SSO, Albert Halls, The Proms
Soprano Soloist
St John Passion (Bach)
Canterbury Cathedral
Soprano Soloist
Solemn Vespers (Mozart)
Canterbury Cathedral
Soprano soloist
Coronation Mass (Mozart)
Troon Chorus
Soprano Soloist
Hymnus Paradisii (Howells)
Bearsden Choral Union


Exultate Jubilate (Mozart)
Perth Choral Union, Perth Concert Hall


1st Soprano
Esther (Handel)
Dunedin Consort, Linn Records
1st Soprano
Magnificat (Bach)
Dunedin Consort, Linn Records
Requiem (Mozart)
Dunedin Consort, Linn Records
4th sop soloist
The Triumph of Time and Truth (Handel)
Ludus Baroque, Delphian Records

Covered Covered & Performed Scenes Premiere of New Work Concert

01 Gretchen am Spinnrade D118

Act 2 extract 2

Laudate Dominum

headshot copy


IMG 6032

"when the gates of Heaven are thrown open, I’d tears in my eyes. Best of all, Tomas had engaged a wonderful young soprano, Emily Mitchell, for the all important solo part in the last movement. If I say that she reminded me of a young Lucia Popp, I can give no higher praise." (2013)

"...soloists Jeremy Huw Williams (baritone) and Emily Mitchell (soprano) were finally able to shine, particularly the latter in her moving account of the iconic Pie Jesu setting. "- Martin Kershaw, The Herald

"...the singers and players explored a vast panorama of sounds, colours and emotional expression, all of it underlying the staggering originality of Monteverdi. It was alluring, with Emily Mitchell getting to break our hearts in the great Nymph's Lament." - Michael Tumelty, The Herald

"What was already top drawer music-making then pushed through the envelope of excellence with two extraordinary singers, soprano Emily Mitchell and mezzo Catriona Morison, who animated with their gorgeous voices a selection of Mendelssohn's opus 63 duets. The soprano's voice had a dazzling lustre......They were glorious, " - Mic hael Tumelty, The Herald

As the picture shows there was a full audience on Sunday evening at Greyfriars Kirk - cheek-by-jowl with the Edinburgh Pro Musica Orchestra. They in turn were in front of the 107 singers of the Edinburgh Royal Choral Union. The evening's theme was the first Christmas of the Great War, one hundred years ago. In Terra Pax, composed in 1954, brings together verses from Handel's Messiah with extracts from Robert Bridge's poem Noel: Christmas Eve, 1913 subtitled Peace and good will to all men. The baritone, Oscar Dom Victor Castellino, sporting his vivid pink bow tie convincingly set the scene from the poem followed by the chorus singing the familiar Christmas story. Emily Mitchell's first rate soprano solo took the part of the angel. The chorus responded with more from the baritone voice. A thought provoking work well chosen to set the scene for what was to come. It was curiously so appropriate to end with Haydn's bright and lively Nelson Mass - a Mass setting composed at the time of the B

Master Music
Royal Scottish Academy of Music
Bachelor of Music (Hons)
Royal Scottish Academy of Music and Drama


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