The home of professional classical singers and opera auditions

Forgot your password?

Enter your email address, and if you’re registered as a member of this site, we’ll send you a reset of your password via email.

 
Photo: Joanna Harries

Georgia Mae Bishop

Voice Type:

Mezzo-Soprano

Nationality:

British

Country:

United Kingdom

Languages (fluent):

English

Opera

Mistress Quickly
Falstaff (Verdi)
Garsington Opera
2018
Zita
Gianni Schicchi (Puccini)
Barbican Concert Hall
2018
Madame de Croissy
Dialogues des Carmélites (Poulenc)
Guildhall Opera
2018
Filipyevna
Eugene Onegin (Tchaikovsky)
Opera Loki
2018
Vera Boronel
The Consul (Menotti)
Guildhall Opera
2017
Carmen
Carmen (Bizet)
Dartington Opera School
2016
Witch
Hansel and Gretel (Humperdinck)
Pimlott Foundation
2015
Cyrus
Belshazzar (Handel)
Trinity Laban Opera
2014

Chorus

Chorus mentor
Lady Macbeth of Mtsensk (Shostakovich)
Birmingham Opera Company
2019
Chorus
Don Carlos (Verdi)
Grange Park Opera
2016
Chorus
Samson et Dalila (Saint-Saëns)
Grange Park Opera
2015
Chorus
La Boheme (Puccini)
Grange Park Opera
2015

Oratorio/Concerts

Mezzo-soprano soloist
Messa da Requiem (Verdi)
Various
2019
Soloist
12 Polish Carols (Lutoslawski)
Jersey Symphony Orchestra, Fort Regent, Jersey
2018
Alto soloist
Alto Rhapsody (Brahms)
Canterbury Symphony Orchestra
2018
Soloist
Sea Pictures (Elgar)
Canterbury Symphonny Orchestra
2017
Alto soloist
Messiah (Handel)
Various
2017
2nd alto soloist
Scenes of Goethe’s Faust (Schumann)
London Symphony Orchestra, Barbican Concert Hall
2016
Soloist
El amor brujo (De falla)
Trinity Laban String Ensemble
2016
Mary Magdalene
The Apostles (Elgar)
Ely Cathedral
2016

Covered Covered & Performed Scenes Premiere of New Work Concert

Pauline's aria, Queen of Spades, GMBishop 2018

Va! Laisse couler mes larmes Georgia Bishop

IMG 7055

Opera Awards Foundation Bursary (2018)

Competitions

2nd Prize, Wagner Society Competition (2016)

Winner, Chartered Surveyors Competition (2016)

‘…an especially strong impression was left by Georgia Mae Bishop’s sonorous Zita.’ (Opera Magazine) July 2018 (2018)

‘Georgia Mae Bishop as Le Prieure delivers a stunning death scene as her impassioned mezzo-soprano generates a real feeling that she is searching her soul to its very depths. When we are used to the part being played by the likes of Deborah Polaski, we realise just how great an achievement it is for one so young to remain this powerful and convincing over such a sustained period.’ (MusicOMH) March 2018 (2018)

‘Georgia Mae Bishop proved an astute comedian as a spirited Filipyvena, and her strong mezzo projected the English translation with clarity’ Peter Reed, Opera Magazine, December 2018. (2018)

Opera School
Guildhall School of Music and Drama
2016–2018
MMus
Guildhall School lf Music and Drama
2015–2016
BMus (hons) and ISP advanced
Trinity Laban Conservatoire of Music and Dance
2010–2015


Born in Jersey, mezzo-soprano Georgia Mae Bishop is a recent graduate of the prestigious Opera Course at the Guildhall School of Music & Drama. She holds a masters in performance with distinction from the Guildhall School and a BMus (hons) from Trinity Laban Conservatoire of Music and Dance.

Whilst at the Guildhall she was the winner of the Chartered Surveyors vocal competition and a recipient of an Opera Awards Foundation bursary. Other competition successes include 2nd prize at the Wagner Society Singing Competition (2016) and finalist in Fulham Opera’s Robert Presley Memorial Verdi Prize (2017).

Described as ‘a performer with a strong vocal personality and stage presence’ (opera magazine) Georgia has received critical acclaim for her portrayal of numerous roles on the operatic stage. Recent credits include Filipyvena Eugene Onegin (Opera Loki), Mistress Quickly (cover) Falstaff (Garsington Opera), Zita Gianni Schicchi (Barbican Concert Hall), La Prieure Dialogues des Carmélites, Vera Boronel The Consul, Zenobia (cover) Radamisto (Guildhall Opera), title role Carmen, Ruth Pirates of Penzance (Dartington Opera), Sorceress Dido and Aeneas (Opera Lyrica), Cyrus Belshazzar (Trinity Laban Opera), Witch Hansel and Gretel (Guernsey Symphony Orchestra). Georgia has also performed as a part of the chorus with Grange Park Opera and British Youth Opera.

Georgia made her Barbican Hall debut with the LSO as Alto Soloist in Schumann’s Scenes from Goethe’s Faust, and her Royal Festival Hall debut as the contralto soloist in a performance of Ustvolskaya Symphony no.4 with the LPO. Other concert highlights include; Alto Rhapsody Brahms, Sea Pictures Elgar (Canterbury Symphony Orchestra), Alto semi-chorus soloist Elijah, (St John’s Smith Square), Folk Songs Berio, (South Bank Centre), Messa da Requiem Verdi, Messiah Handel, and The Apostles (Ely Cathedral).

Georgia has taken part in masterclasses with Brigitte Fassbaender in the Wigmore Hall, excerpts of which were later played on radio BBC 3’s Music Matters, Dame Felicity Palmer, Amanda Roocroft and Dame Kiri te Kanawa.

Georgia is incredibly grateful to The Worshipful Company of Weavers, The Steel Charitable Trust, The One Foundation, The Paul Brown Charitable Trust, The Opera Awards, The John Lobb Trust, The John Hosier Trust and the Drapers Company who supported her during her studies.

Contact Georgia Mae Bishop

Any message that you send here will be checked by Audition Oracle for suitability (to filter out spam), and then forwarded to Georgia Mae Bishop.