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Voice Type:





United Kingdom

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Hurn Court Opera Singer of the Year- Finalist (2021)

NOMEA International Best Opera Singer Category- Top 20 (2020)

Bath Opera Isobel Buchanan Award- Finalist (2019)

“‘I was not sorrowful’ was sung with ardent sincerity- a real highlight!” (2020)

“A classy performer” (2020)

“Outstanding extreme top of the voice” (2020)

Master of Arts- Supported by the Countess of Munster Musical Trust
Royal Academy of Music
BMus (Hons)
Royal Academy of Music

Grantham born baritone, Jack Lee is currently in his first year of a Postgraduate degree at the Royal Academy of Music under the tutelage of Giles Underwood and Chad Vindin. This summer he completed his undergraduate degree at RAM and graduated with a First Class Honours. Jack is very grateful to have his masters degree supported by the Countess of Munster Musical trust and a scholarship from the Royal Academy of Music.

Last year Jack was due to perform the role of the Vicar in Royal Academy Opera’s cancelled production of Albert Herring and the title role in Kings Operas production of Don Giovanni. Jack has also performed the role of Papageno at the Uppermill Summer Music Festival and the Cricket in Janacek’s The Cunning Little Vixen. In competitions he has won places to perform in the Finals of the 2019 Bath Opera Isobel Buchanan Opera Award and the cancelled 2020 Hurn Court Opera Singer of the Year Award. Jack was also ranked in the Top 20 singers in the inaugural NOMEA International Opera Singer Competition.

Jack has given recitals throughout the UK, most recently performing Schumann’s Liederkreis Op 39 at the Royal Academy of Music and performing a selection of Benjamin Britten’s compositions at The Red House, Aldeburgh. His solo concert engagements have included; Handel’s Messiah, Haydn’s Creation, multiple Bach Cantatas and Beethoven’s Missa Solemnis. During the Covid-19 pandemic Jack performed in multiple online events; these included a lunchtime recital for Southwell Minster and as a Bass Soloist in Handel’s Messiah.

Upcoming engagements include solo bass chorus for Royal Academy Opera’s performance of Dido and Aeneas and Count Di Luna in the Royal Academy of Music’s Opera Scenes.

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