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Photo: Theik Smith

John Kun Park

Primary Skill:

Tenor

Nationality:

American, Korean

Country:

United States

Languages (fluent):

English

Agent:

Peter Randsman
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Opera

Otello
Otello (Verdi)
West Bay Opera
2025
Manrico
Il Trovatore (Verdi)
Boheme Opera of New Jersey
2025
Mario Cavaradossi
Tosca (Puccini)
Opera Modesto
2024
Rodolfo
La boheme (Puccini)
Opera on the James
2024
Canio
I Pagliacci (Leoncavallo)
Opera Tampa
2023
Erik
Der Fliegende Holländer (Wagner)
West Bay Opera
2023
Mario Cavaradossi
Tosca (Puccini)
Chautauqua Opera
2022
Adolfo Pirelli
Sweeney Todd (Sondheim)
Des Moines Metro Opera
2022
John Adams`
The Mother of us All (Virgil Thompson)
Chautauqua Opera
2022
Beadle Bamford
Sweeney Todd (Sondheim)
Des Moines Metro Opera
2021
Faust
Faust (Gounod)
Valley Opera & Performing Arts
2020
Ismaele
Nabucco (Verdi)
Sarasota Opera
2019
Erste Könige
Der Liebe die Danae (R. Strauss)
Pittsburgh Festival Opera
2019
Ismaele
Nabucco (Verdi)
West Bay Opera
2019
Monostatos
Die Zauberflöte (Mozart)
Sarasota Opera
2019
Siegmund
Die Walküre (Wagner)
Pittsburgh Festival Opera
2019
Tenor 1
Le vin herbé (F. Martin)
Long Beach Opera
2017
Anatol
Vanessa (Barber)
Mannes Opera
2017
Don José
Carmen (Bizet)
Central City Opera
2017
Don José
Carmen (Bizet)
Venture Opera
2016
Don José
Carmen (Bizet)
Trentino Music Festival
2016

Contemporary Opera

Daruma
Both Eyes Open (Max Duykers)
New Performance Traditions
2025
Loud Stone
Eurydice (Matthew Aucoin)
Opera Grand Rapids
2025
Daruma
Both Eyes Open (Max Duykers)
New Performance Traditions
2025
Tenor 1
The Tibetan Book of the Dead (Ricky Ian Gordon)
Opera Grand Rapids
2024
Rick
I was looking at the ceiling and then I saw the sk (John Adams)
InSeries Opera
2023

Oratorio/Concerts

Tenor Soloist
Krönungs-Messe (Mozart)
Carnegie Hall
2024

Covered Covered & Performed Scenes Premiere of New Work Concert COVID-cancelled

...a fine Monastatos, giving the Moor more of a personality than the racial caricature one usually sees in this role. -The Observer (2019)

As his evil servant Monostatos, John Kun Park sang with clowning energy and joie de vivre - Herald Tribune (2019)

The Moor Monostatos is complex, especially in current times. Tenor John Kun Park was convincingly sinister as he lunged upon Pamina...his vulnerability to Papageno’s silver chimes make him less despicable than often perceived - Opera News (2019)

Professional Studies Diploma
Mannes School of Music
2015–2017
Master of Music
SUNY Purchase
2011–2013
Bachelor of Music
California State University, Long Beach
2007–2011

John Kun Park, a Korean-American Tenor from Los Angeles, California, has been described as “a promising, rich dramatic voice who delivers with relentless passion.”

John prepares to make his Northern California debut as Ismaele in West Bay Opera’s Fall production of Verdi’s Nabucco, and will debut in Southern California as the title role of Faust in Gounod’s Faust with Valley Opera in the beginning of 2020.

John began 2019 with his return to Sarasota Opera’s season as a Studio Artist, covering Ismaele in Verdi's Nabucco, the Emperor in Puccini’s Turandot, and debuting as Monostatos in Mozart’s Die Zauberflöte. He made debut with Pittsburgh Festival Opera as the First King in Richard Strauss’ Die Liebe der Danae, and covered Siegmund in Richard Wagner’s Die Walküre.

John was invited as an Apprentice Artist in the beginning of 2018 for Sarasota Opera’s Winter season, where he was awarded the Mary Cook Award for an Outstanding Apprentice Artist.  He debuted with Long Beach Opera for their production of Frank Martin’s Le vin herbé in May, and returned to Sarasota Opera for their fall production of Il Barbiere di Sveglia.

The 2016-17 season found John in his final year of Artist Certification at the Mannes School.  He was the tenor soloist in Händel's Messiahin Manhasset, NY, and then appeared as Anatol with Mannes Opera in their Spring production of Barber's Vanessa.  He placed as one of six finalists for the New Jersey State Opera's Alfredo Silipigni competition shortly thereafter.  John was invited to Central City Opera as an Apprentice Artist for their esteemed Bonfils-Stanton Young Artist Program.  He was cast as the cover of Don José for the season of Bizet's Carmen, and debuted as Don José for the company's Apprentice production.  

The summer of 2016 found John in the Dolomites of Italy, appearing as Don José in Bizet's Carmen under Music Academy International's affiliation of the Trentino Music Festival.  He appeared a finalist in New York's Joy of Singing competition in the Spring of 2016, and covered Don José for Venture Opera's winter production of Carmen.

During his time at SUNY Purchase, John appeared as Le Prince Charmant in Massenet's Cendrillon, Eisenstein in J. Strauss' Die Fledermaus, and Lysander in Britten's A Midsummer Night's Dream.  His studies while in Los Angeles found John appearing as Des Grieux in Massenet's Manon, and B.F. Pinkerton in Puccini's Madama Butterfly under the Opera Gang company.  

John currently resides between New York, NY, and Los Angeles, CA.
 

 

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