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Photo: Catrin Arwell Photography

Kayleigh McEvoy

Voice Type:





United Kingdom

Languages (fluent):



Winner of the Essex young musician of the year (2017)

Winner of the Freda Parry Scholarship Competition (2016)

'She has a rich, remarkably mature voice, heard to great effect in Dvorak' ​(Michael Gray) (2017)

'Her singing voice was magnificent as the demands of this almost non-stop role were met with skill and confidence.' ​(Behind the footlights) (2013)

Masters in Performance (Classical singing)
Guildhall School of Music and Drama
Bachelor of Music (Classical singing)
Guildhall School of Music and Drama
Foundation in Musical Theatre
Mountview Academy of Arts

British soprano Kayleigh McEvoy is currently on the Artist Masters course at the Guildhall School of Music and Drama, under the tutelage of Marilyn Rees.

Kayleigh was delighted to have recently won the Essex Young Musician of the Year competition following her success of winning the Freda Parry Scholarship competition in 2016 .

Kayleigh is a keen advocate of concert and oratorio repertoire, her recital work having taken her throughout the UK and Europe. She made her London operatic debut in 2016 as the Fox in Janáček’s The Cunning Little Vixen (abridged.) Most recently, Kayleigh has been performing the role of Musetta in La Boheme on tour with Barefoot Opera. Over the past year, Kayleigh has performed an extensive number of vocal recitals, most recently for the Waltham Singers Opera Gala where she sang excerpts from operas such as: La Traviata, Rusalka, Gianni Schicchi, Cavalleria Rusticana and Le Nozze di Figaro. September 2017 saw Kayleigh make her African performance debut, flying out to Marrakesh with ALR Music. Within Guildhall's opera scenes she has also performed roles such as, Rosalinde in Die Fledermaus, and Witch 1 in Dido and Aeneas. Other previous roles include, The Plaintiff in Trial by Jury, Constance in The Sorcerer, Peep Bo in The Mikado and Tessa in The Gondoliers.

In London, Kayleigh has had the opportunity to work with renowned coaches and conductors such as; Daniel Barenboim, Gustav Dudamel, Graham Johnson, Sarah Walker, Edith Wiens and Mary Plazas.

Kayleigh has also recently started expanding her New Music repertoire. Last year she performed in the world premiere of The Tale of Januarie. She has also worked closely with Jane Manning over the past six months on a selection of new pieces written by 20th Century composers. In association with the Courtauld Gallery, Kayleigh performed a newly commissioned piece written especially for her based on one of their paintings by Lucian Freud.

Over the coming season, Kayleigh can be heard performing in numerous recitals. 2018 will see recitals in German and Russian, as well as further Opera Scene projects and duo recitals.

Kayleigh's Postgraduate Studies are kindly supported by The George Drexler Foundation, Ann Johnson Educational Foundation, Mario Lanza Educational Foundation, Hervey Benham Charitable Trust, The Sir Richard Stapley Educational Trust, Chelmsford Educational Foundation, The Essex Community Foundation, The Pimlott Foundation, Tom Acton Memorial Trust and The Guildhall School Trust.

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