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Kiera Nettelbladt

Primary Skill:

Soprano

Nationality:

British

Country:

United Kingdom

Languages (fluent):

English, French

Opera

Octavian
Der Rosenkavalier (Strauss)
University of Chichester Conservatoire
2023
Marguerite
Faust (Gounod)
New Sussex Opera
2023
May Queen/ Understudy Galatea
Acis and Galatea (Handel)
New Sussex Opera
2022
Belinda
Dido and Anaeas (Purcell)
University of Chichester Opera Chorus
2020
Jeune Fille
La Belle Helene (Offenbach)
New Sussex Opera/ Opera Della Luna
2019
Cupid
Venus and Adonis (John Gay)
University of Chichester Opera Chorus
2019
Messenger/Chorus
La Traviata (Verdi)
New Sussex Opera
2019
1 st soprano - Chorus
Carmen (Bizet)
New Cornwall Opera
2015

Operetta/G&S

Toinette
Belle Lurette (Offenbach)
New Sussex Opera
2022
Mabel
The Pirates of Penzance (Sullivan)
Havant Light Opera
2022
Katisha
The Mikado (Sullivan)
Havant Light Opera
2019
Kate
The Pirates of Penzance (Sullivan)
Ropetackle Arts Centre
2019
Cousin Hebe
HMS Pinafore (Sullivan)
Havant Light Opera
2019
Lady Bushey
Mr. Jericho (Ford)
West Sussex Opera
2019
Teacher's Pet/Chorus
Orpheus in the Underworld (Offenbach)
University of Chichester Opera Chorus
2017

Contemporary Opera

The Resistance/ Chorus
PUSH (Moody)
Chichester Marks Holocaust Memorial Day
2019

Musical Theatre

Carlotta
Phantom of the Opera (Lloyd-Webber)
University of Chichester Conservatoire
2023
Jack's Mother
Into The Woods (Sondheim)
University of Chichester Musical Theatre Ensemble
2018

Oratorio/Concerts

Soloist
Passion at the Opera (Various)
New Sussex Opera
2022
Soloist
Love and Death at the Opera (Various)
New Sussex Opera
2021
Host/Writer
Women in Song (Various)
University of Chichester Conservatoire
2021
Soprano Soloist
Messiah (Handel)
Portsmouth Festival Choir
2020
Soprano Soloist
Requiem (Faure)
Portsmouth Festival Choir
2019
Soprano Soloist
Hymn of Praise (Mendelssohn)
Portsmouth Festival Choir
2019
Alto Soloist
Gloria (Vivaldi)
Portsmouth Festival Choir
2019

Theatre

Helga
'Allo 'Allo (Various)
CAOS Musical Productions
2023

Covered Covered & Performed Scenes Premiere of New Work Concert COVID-cancelled

The Elizabeth Estlea Spring Park Cup (French Song) (2021)

The Frederick Foote Memorial Cup (Light Opera) (2021)

The K N Kelly Challenge Cup (2021)

The Lady Woodruff Cup for Operatic Aria (2021)

The Lister Cup (2021)

"...It was, strange to say, one performer who caught my eye every time she was on stage. She was a minor character, Toinette. She doesn’t have any solos, and yet so vibrant is her stage presence that it was impossible for me to look elsewhere. Her name is Kiera Smitheram, and she embodied the entire spirit of Offenbach. As the prior reviewer put it, “whenever she appeared, she was always ‘in role’ whilst never taking the focus away from others”. And that is a very hard thing to pull off," -Chris Weber, The Operetta Research Centre (2022)

"...Kiera Smitheram in the secondary role of Toinette, one of the laundry girls, who chain smoked throughout and made the most of each of the few lines that she had: whenever she appeared, she was always ‘in role’ whilst never taking the focus away from others." -John Groves , Operetta Research Centre (2022)

"Kiera Smitheran's Toinette, a chain-smoking laundress with a series of one-liners, was a complete delight," - Robert Hugill, Planet Hugill (2022)

MPhil Cornish Studies
University of Exeter
2022–2024
BMus (Hons) Vocal Performance (Classical)
University of Chichester Conservatoire
2016–2020

Kiera is a soprano, actor, saxophonist, and writer. She is also a trained music technician and music teacher.
In 2021, Kiera retrained during the COVID-19 lockdown as a technician and obtained a position at the University of Chichester Conservatoire. She has been involved in over 150 productions and concerts as a lighting and sound engineer, camera operator, livestream manager, stage manager, and front of house manager.
Kiera works extensively in Cornish Academia, specialising in History, Culture, and Musicology. Her work explores the importance of Musical History to the Cornish narrative, as well as exploring the technical aspects of Cornish musical composition.

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