After her Business Administration studies in Cologne, the young soprano began studying voice with Prof. Annette Koch and Susan Anthony in Münster and continued her studies with Prof. Carola Höhn at University of the Arts Berlin. During her bachelor studies Laura Albert has already been an ensemble member at Theater an der Niebuhrg Oberhausen and a soloist at Chamber Operetta Münster, followed by engagements at Ucker Oper GmbH and Berlin State Opera Unter den Linden.

In masterclasses Laura Albert has collaborated with established artists and received musical impulses from Vesselina Kasarova, Raymond Hughes, Janice Chapman, Jeanine De Bique, Caroline Thomas, John Treleaven, the German well-known chanson and jazz musician Götz Alsmann and conductor Dan Ettinger. She worked with directors Marcin Lakomicki, Holger Müller-Brandes, Wolfgang Berthold, Bernarda Horres, Benedikt Borrmann and Isabel Hindersin.

In 2020/2021 she received a scholarship by the Richard Wagner Association and was a finalist at GWK Music Competition Westfalen-Lippe. In 2022 she received 1stPrize in the King‘s Peak International Music Competition and 1st Prize in the London International Music Competition.

Among her concert activities she performed G. F. Händels „Messiah“, W. A. Mozarts Mass in B-Major („Loretomesse“), Requiem and Coronation Mass („Krönungsmesse“), Will Todds Mass in Blue, „Helene“ in Franz von Suppès „Das Pensionat“, „La Contessa“ in W. A. Mozarts „Le Nozze di Figaro“ and „Schwester Anna“ in the German original performance of „Dein ist das Reich“ (Swedish: Riket är ditt, English: Thine is the Kingdom) by Jonas Forssell. In 2022 she made her debut as „Marion Richter“ in the contemporary production of „Die Arabische Nacht“ by Christian Jost at Berlin State Opera Unter den Linden. Laura Albert will perform „La Contessa Almaviva“ in a German production of „Le Nozze di Figaro“ at Chamber Opera Munich in season 2022/23 and received a scholarship by the EVA LIND Music Academy Tirol in 2023.

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