Lawrence has appeared with companies including Royal Opera House, Grange Park Opera, Opera Holland Park, Wexford Festival Opera, Gothic Opera, West Green House Opera, Cardiff Opera, University College Opera, Aylesbury Opera, Blackheath Halls Opera, New Sussex Opera, Hampstead Garden Opera and Hurn Court Opera. Roles include Stárek (Jenůfa), Olin Blitch (Susannah), Alcindoro (la Bohème), Norberg (La Nonne Sanglante), Speaker/2nd Armed Man (Die Zauberflöte), Zalzal (L’etoile), Apollo/La Notte in Cavalli’s L’Egisto. He created the roles of William James/Edmund Gosse in Alberto Caruso’s The Master and the role of John Quinn in Caruso’s Lady Gregory in America, both with Wexford Festival Opera.
Lawrence studied at Trinity Laban, and was generously supported by the Kathleen Roberts and Morag Noble Vocal Scholarships, where scenes include Figaro (Nozze di Figaro), Sagristano (Tosca) and Balstrode (Peter Grimes).
Solo concert repertoire includes Mozart Requiem, Rossini Petite Messe Solennelle, Handel Messiah, Stainer Crucifixion, Vaughn Williams’ Five Mystical Songs, Faure Requiem, Haydn Nelson Mass, Bach’s Wechet! Betet! Betet! Wachet!, Ich Habe Genug, and Christmas Oratorio. He has sung the roles of Sir Richard Cholmondeley/ Leonard Meryll in a concert version of Yeomen of the Guard with the Burgate Singers. He recently gave a performance of Schubert’s Schwanengesang as part of the Buckingham festival.

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