Help Musicians UK Sybil Tutton Award (2018)

Opera Awards Foundation Professional Development Bursary (2018)

Kathleen Trust Scholarship (2017)

Opera Awards Foundation Bursary (2017)

Peace and Prosperity Young Artist (2016)

Scholarship, The William Barry Trust (2016)

Simon Fletcher Pat Syme Award / Simon Fletcher Charitable Trust (2016)

Full Tuition Scholarship, Worshipful Company of Mercers (2015)

Scholarship, The William Barry Trust (2015)

2-year Full Maintenance Scholarship, DAAD (Deutscher Akademischer Austausch Dienst) (2013)

Scholarship, Landeshauptstadt Salzburg Kulturfond, Austria (2013)

Scholarship, Mécénat Musical Société Générale, France (2013)

Finalist, Clonter Opera Prize (2017)

Finalist, Armel Opera Competition, Budapest (2015)

Prix Spécial du Jury, Concours International de Marmande, France (2014)

First Prize, International Competition Mozarteum Salzburg Academy (2013)

Prix Jeune Espoir, Concours International de Clermont-Ferrand, France (2013)

"As Polissena, Margo Arsane reveals a beautiful, nuanced and supple soprano that executes some difficult lines extremely well." https://www.musicomh.com/classical/reviews-classical/radamisto-milton-court-theatre-london (2017)

"From Polissena's opening “Sommi Dei”, sung with cool and serene magnificence by the astonishingly gifted Margo Arsane, [...] the musical treats never stop coming. Arsane gives a performance of exceptional sincerity and beauty as Tiridate’s abandoned queen and becomes the emotional centre of the work, using tasteful vibrato like an artist’s palette to shade and accentuate her lines, negotiating switches through the fourth wall and back with the ease of a talented actor." Radamisto, June 2017, Bachtrack: https://bachtrack.com/review-ramster-kelly-moffat-skillett-guildhall-milton-court-london-june-2017 (2017)

"Arsane captured Parasha’s capriciousness and vivacity, and moved easily from the plaintive modality of her folk lament to the decorative exuberance of the role’s coloratura demands." Mavra, November 2016 (Opera Today) (2016)

"Margo Arsane singing beautifully as the young Nannetta" Falstaff, Dec. 2016 (Local Secrets) (2016)

"Margo Arsane's bell-like clarity shone as brightly as her superb French diction." Le Comte Roy, June 2016 (Bachtrack) (2016)

Margo Arsane, mezzo-soprano

French mezzo Margo Arsane is currently an Emerging Artist at Scottish Opera and a Young Artist at Opéra National de Lyon for the season 2020-21.

At Scottish Opera, her current engagements include DORABELLA Cosi fan tutte, MEG PAGE cover Falstaff in David McVicar’s production, as well as the recording of Chausson’s Poème de l’amour et de la mer with the Scottish Opera Orchestra.
With Opéra de Lyon, she is engaged in the title-role of Ravel’s L’Enfant et les Sortilèges.

Margo’s recent and future engagements include SMERALDINE and LINETTE L’amour des trois oranges Opéra National de Lorraine à Nancy, CLIMENE and PREMIER AMOUR Lully-Moliere’s Les Amants Magnifiques Le Concert Spirituel with Hervé Niquet on tour to Opéra d’Avignon, Opéra de Rennes, Opéra de Massy, Opéra de Reims, Opéra de Limoges and Atelier Lyrique de Tourcoing, SESTO cover Handel’s Giulio Cesare in Egitto Opera North, ROSINA Il barbiere di Siviglia Scherzo Ensemble and CHERUBINO Le nozze di Figaro Dartington Festival.

Margo trained at the CNSMD in Lyon, Hochschule für Musik Munich, Guildhall School of Music and Drama, and National Opera Studio in London.

She has won several prizes at international competitions: Mozarteum Sommerakademie Wettbewerb 2013 (1st prize), Special Prize at the International Voice Competition 2014 in Marmande and “Young Hope” Prize at the Concours International de Chant de Clermont-Ferrand 2013.

Margo has sung in public masterclasses for world-renowned singers like Renée Fleming, Gerald Finley, Teresa Berganza, Stuart Skelton, Leontina Vaduva, Jean-Philippe Lafont and Janet Williams, among others.

Margo has also been a Young Artist for the Peace and Prosperity Trust since 2016, a charity which works towards building bridges between the Middle East and the West and promoting peace through the universal language of music.

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