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Mariya Krywaniuk

Voice Type:

Soprano

Nationality:

British, Canadian

Country:

United Kingdom

Languages (fluent):

English, Italian, French, Spanish

Opera

Salome
Salome (Strauss, R)
Edinburgh Players Opera Group
2018
Woglinde
Gotterdammerung (Wagner)
London Wagner Society/Mastersingers
2017
Step-Mother
The Juniper Tree (Philip Glass)
The Hammond Theatre
2017
Lulu
Lulu (Berg)
English National Opera
2016
Helmwige, Gerhilde, Ortlinde
Die Walküre (Wagner)
Saffron Opera
2016
Elisabeth
Tannhäuser (Wagner)
Longborough Festival Opera
2016
Mimi​
La bohème (Puccini)
Clapham Festival Opera
2015
First Lady
The Magic Flute (in English) (Mozart)
Co-Opera Co
2013
Gerhilde
Die Walküre (Wagner)
Longborough Festival Opera
2013
Cio-Cio San
Madama Butterfly (Puccini)
Opera Holland Park
2013
Gerhilde
Die Walküre (Wagner)
Royal Festival Hall, Philharmonia Orchestra
2013
Cio-Cio San
Madama Butterfly (Puccini)
New Devon Opera
2012
Mimi​
La bohème (Puccini)
Co-Opera Co
2010
Cio-Cio San
Madama Butterfly (Puccini)
Opera UpClose
2010

Covered Covered & Performed Scenes Premiere of New Work Concert

01 Un bel di vedremo

02 Act 2 Prayer- Jenufa

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Canadian soprano Mariya Krywaniuk, singing with lusty, loud passion- 'One fine day'- certainly did what it should. Peter Reed- Opera

Mariya Krywaniuk as Butterfly / Cio-Cio San stole the show. Whilst a leading soprano’s appearance is not always important if her voice is good enough, in this case it was good to see a young singer who could convey all the vulnerability of a fifteen-year old trying to be as adult as she can, after being thrust into a truly alien situation. Mariya Krywaniuk’s voice is very delicate and pure and was at its absolute best in ‘One Fine Day / Un Bel Dì.’ Bill Kenny- Seen and Heard International

She is beautiful and sexy, passionate and in some ways childlike (as Cio Cio San). She is a true operatic personality- and Butterfly hardly needs any other. Michael Tanner- The Spectator

Masters in Vocal Performance
Manhattan School of Music
2001–2003

Mariya Krywaniuk is a native of Vancouver, Canada and graduated with a Masters in Music from the Manhattan School of Music. While in New York, Mariya was a prize-winner in the prestigious Gerda Lissner International Vocal Competition and a New York district winner in the Metropolitan Opera National Council Auditions. Mariya has sung on the opera stage and concert platform in the US, Canada, Italy, Czech Republic, Israel and the UK. Roles include Marguerite (Faust) and Alice Ford (Falstaff)/Amato Opera, NYC; title role (Manon) and Violetta (La traviata)/ International Institute of Vocal Arts, Chiari, Italy; and First Lady (Die Zauberflöte)/IVAI, Syosset, New York. In 2007 in Tel Aviv, Mariya sang the role of Mamousha for American Opera Projects in the world première of Jan Hamer’s opera The Lost Childhood. Mariya made her Carnegie Hall solo recital début in 2008 at Weill Hall. Since moving to London, Mariya has performed the roles of Mimi (La bohème) and First Lady (The Magic Flute) with Co-Opera Co on tour throughout the UK. She has sung the role of Cio-Cio-San (Madam Butterfly) with both Opera Up Close in 2010 and again with New Devon Opera in 2012. In 2013 Mariya covered the role of Cio-Cio-San for Opera Holland Park's Christine Collins Young Artist Programme. In 2012, Mariya sang the role of Gerhilde for the London Wagner Society under the baton of David Syrus. The following year Mariya reprised the role of Gerhilde at Royal Festival Hall for the Wagner 200 Anniversary Concert with Sir Andrew Davis conducting the Philharmonia Orchestra. She then went on to cover the same role at Longborough Festival Opera's Ring Cycle in 2013.
In 2015 Mariya covered the role of Mimi with Clapham Festival Opera. Mariya covered the role of Elisabeth in Longborough Festival Opera's 2016 production of Tannhauser. In October, she covered the roles of Helmige, Gerhilde and Ortilinde in Die Walkure with Saffron Opera. In November 2016, Mariya covered the role of Lulu in ENO's new production of Berg's Lulu. She has also been part of ENO Opera Squad in the autumn of 2016 which works to bring opera to schools throughout London.
Currently Mariya is singing the role of Step-Mother in the UK premiere of Philip Glass and Robert Moran's opera The Juniper Tree which will be performed at the Hammond Theatre in Hampton. In October 2017, Mariya covered the role of Woglinde in the London Wagner Society's concert performance of Gotterdammerung. She also covered the roles of Third Non and Gutrune in the same opera for Saffron Opera.
In September 2018, Mariya is delighted to be performing the role of Salome in Richard Strauss's Salome in concert with the Edinburgh Players Opera Group.

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