Covered Covered & Performed Scenes Premiere of New Work Concert
"The Swedish tenor Martin Lindau communicated Pinmay’s inner conflict with searing intensity, laying bare the pain and pathos, as well as the missionary’s weakness and cruelty.” /Claire Seymour, ”Opera” january 2018. (2018)
”Swedish tenor, Martin Lindau gives a very strong performance as the eager and zealous Paul Pinmay. Lindau has a powerful and clearly defined voice and contrasts Pinmay’s torment of shame against his fiery-eyed fervour of conviction.” /Mark Aspen (2018)
”The production is superbly cast. Martin Lindau showed us every atom of Pinmay’s inner conflict - his earnestness, his disingenuousness, his cruelty, his suffering - and conveyed pomposity and pathos in equal measure and with real impact. The Swedish tenor has just the right touch of ardency and crafted focused, well-phrased melodies.” /operatoday.com (2017)
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