Natalka’s entire repertoire was very moving, and the song ‘Tears of Hope’ was particularly powerful and she captivated the entire audience. Her vocal control was exceptionally sustained among disjunct melodic leaps, changeable dynamics, and trills throughout the song. She embodied the quietness and soft timbres of the verse, and beautifully prepared the dramatic climax towards the end.The clarity of her tone was exceptional throughout, particularly in the higher registers which were so well controlled and sustained. It was an extremely special performance as she created an intimate atmosphere in communicating the story of the songs. Natalka’s voice is truly unique and can touch the heart of any listener. (2018)

Natalka Pasicznyk is a First Class Music graduate of King’s College London, who is currently pursuing postgraduate vocal studies at the Royal College of Music with Patricia Rozario. In the past, she has been mentored by renowned singers, such as Alex Oomens, Ryland Davies and Nadine Sierra.

Past operatic roles include Susanna in Mozart's Le Nozze di Figaro, the role of Bessie Throckmorton in Edward German's Merrie England and Spring and Mystery in Purcell’s Fairy Queen. More recently, she won First Prize in the 2024 Dean and Chadlington Singing Competition and sang in the Nicky Spence Masterclass in the 2024 London Song Festival. Natalka was a 2025 Leeds Lieder Young Artist, with duo partner, Catriona Mackenzie and will be debuting the role of Adele as an Emerging Artist in Westminster Opera Company's 2025 production of Die Fledermaus.

Having grown up singing Ukrainian folk music with her father and sister, Natalka is enthusiastic about sharing her culture and has become involved in sharing Ukrainian classical music in recent years. She has performed Ukrainian art songs at the Ukrainian Holland Park Cultural Centre and, more recently since the full-scale invasion, performed for charity concerts in King's Place Concert Hall, King’s Cross, and St Barnabas Church, Kensington, to raise funds for people affected by the war. In the past, she has been interviewed by the Ukrainian department of the BBC World Service about her musical endeavours as a third-generation Ukrainian soprano.

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