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Photo: Craig Matthews Photography

Natasha Elliott

Primary Skill:

Mezzo-Soprano

Nationality:

British

Country:

United Kingdom

Languages (fluent):

English, German, French

Opera

Brigitte
Die tote Stadt (Korngold)
Regents Opera
2022
1st Alto Chorus
La Forza Del Destino (Verdi)
Regents Opera
2022
Lucienne
Die tote Stadt (Korngold)
Regents Opera
2022
Olga
Eugene Onegin (Tchaikovsky)
St Bart’s Hospital (Orchestral workshop)
2022
Florence Pike
Albert Herring (Britten)
St Paul's Opera
2022
Flora
La Traviata (Verdi)
Regents Opera
2021
Zweiter Dienerin
Die Ägyptische Helena (Richard Strauss)
Fulham Opera
2021
Hänsel
Hänsel und Gretel (Humperdinck)
Fulham Opera
2021
Apprentice
Die Meistersinger Von Nürnberg (Wagner)
Fulham Opera
2019
Dritte Dame
Die Zauberflöte (Mozart)
Opera Kensington
2019
Mercedes
Carmen (Bizet)
Barefoot Opera
2018
Arnalta
L'incoronazione di Poppea (Monteverdi)
Barefoot Opera
2017
Pane
La Calisto (Cavalli)
Barefoot Opera
2017
Dritte Dame
Die Zauberflöte (Mozart)
Secret Opera
2015

Covered Covered & Performed Scenes Premiere of New Work Concert COVID-cancelled

MMus Classical Performance and Related Studies
Goldsmiths, University of London
2013–2015

Natasha Elliott -Mezzo Soprano

Recent productions have included Florence Pike in St Paul's Opera's Albert Herring, and she has recently sung Lucienne and covered Brigitte in an orchestral workshop at Freemasons Hall, Covent Garden for Regents Opera (formerly Fulham Opera). Other orchestral workshops have included singing Olga in an orchestral workshop of Eugene Onegin for St Bart's Hospital.

She ha also recently performed in the chorus for Regents Opera's production of Verdi's La Forza Del Destino. Other productions have included Flora in Regents Opera's touring production of "La Traviata" and Zweiter Dienerin in Fulham Opera's "Die Ägyptische Helena". In December 2021,she sang the role of Hänsel in Fulham/Regents Opera’s orchestral study weekend of “Hänsel und Gretel”.

More notable roles have been Third Lady in Opera Kensington’s production of “Die Zauberflöte” and an Apprentice in Fulham Opera’s “Die Meistersinger von Nürnberg”, Mercedes in Barefoot Opera’s 2018 Young Artists Tour of “Carmen” and Arnalta in their Young Artists production of “L’Incoronazione di Poppea”.
Natasha is also a confident and experienced recital and gala soloist..

Contact Natasha Elliott

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