With a voice described as ‘lustrous’ (operatoday.com), and ‘with a glorious rich tone,
soaring high notes and engaging manner’ (lightmusicsociety.com), British soprano Natasha
Page is a graduate of the Royal College of Music International Opera Studio, where she
studied with Rosa Mannion. She is a Samling Artist, an Oxford Lieder Emerging Artist, a
Making Music Philip and Dorothy Green Young Artist and a Leeds Lieder Young Artist. She
was awarded First Place at the Maureen Lehane Vocal Awards 2023.

Natasha’s operatic roles include Pamina Die Zauberflöte (Wild Arts), Megacle L'Olimpiade
(Vache Baroque Festival), the title role in Rita and Bianca/Gabriella La Rondine (IfOpera),
Fiordiligi Cosi fan Tutte (Celebrate Voice Festival), covering Ismene Mitridate, Despina Cosi
fan Tutte and Adele Le Comte Ory (Garsington Opera), covering Semele Semele (Opera de
Lille), Semele Semele (Garsington Opera Create), Belinda Dido & Aeneas (Hurn Court Opera),
Pamina Die Zauberflöte (RCMIOS), Soprano Les Illuminations (RCMIOS), Clarice Il Mondo
della Luna (RCMIOS), Cleopatra Julius Caesar (Kings Opera) and covering Soprano Medusa
(Royal Ballet/Royal Opera House). Natasha is an Extra Chorister for both the Royal Opera
House and English National Opera.

Natasha’s concert work includes Handel’s Messiah (Chichester Cathedral, Southwell
Cathedral), Mozart’s Requiem (Cadogan Hall, St John’s Smith Square), Mozart’s Mass in C
Minor (Harrow School, Cadogan Hall), Brahms’ Requiem (Chichester Cathedral, St Martin-in-
the-Fields), Mendelssohn’s Elijah (Christchurch Priory), Haydn's Nelson Mass (St Martin-in-
the-Fields), Bach’s Coffee Cantata (Amersham Festival of Music), Bach’s Magnificat
(Guildford Cathedral) and Bach’s Jauchzet Gott in Allen Landen (Hertfordshire Festival of
Music).