Ronen Foundation Scholarship (2023)

Coster-Newman Scholarship for the Emerging Artist (Canada) (2019)

Buchholtz scholarship on behalf of IVAI, Israel (2018)

Ronen Foundation Scholarship (2018)

America-Israel Cultural fund Scholarship (2014)

America-Israel Cultural fund Scholarship (2013)

The Buchman-Mehta School of music (Tel-Aviv University) scholarship (2010)

The Buchman-Mehta School of music (Tel-Aviv University) scholarship (2009)

The Buchman-Mehta School of music (Tel-Aviv University) scholarship (2008)

The Buchman-Mehta School of music (Tel-Aviv University) scholarship (2007)

Oshri Segev, Baritone is considered one of Israel's most sought-after Opera singers. Following an exceptional wide success as a Tenor on Israeli stages, most notably the Israeli Opera, he has recently transitioned to Baritone repertoire due to developments to his voice. Segev splits his time between Israel and Milano.

Segev has sung under the batons of Zubin Mehta, Kurt Mazur, Asher Fisch, Roberto Abbado, Daniel Oren, Michele Gamba, Sebastiano Rolli, Giuliano Carella, Patrick Summers and Dan Ettinger. He has sung with all the leading vocal ensembles in Israel including the Israeli Opera, The Israeli Philharmonic Orchestra, the Rishon Lezion Symphony Orchestra, The Israeli Chamber Orchestra, The National Kibutz Orchestra, Jerusalem Baroque Orchestra, Barrocade Orchestra and the Jerusalem Opera

Engagements with the Israeli opera included Sailor in Purcell's Dido and Aeneas, Ramiro in Rossini's Cenerentola, Nemorino in Donizetti's L'elisir D'amore, Tamino in The magic flute, Arbace in Idomeneo, Podesta in La finta Giardiniera by Mozart, Judge and Servant in Un ballo in maschera, a Messenger in Aida, Gastone in La Traviata, Conte di Lerme in Don Carlo, Abdallo in Nabucco, Captain in Simon Boccanegra, Ruiz in Il Trovatore by Verdi, Spoleta in Puccini's Tosca, Schmidt in Massenet's Werther, Older brother in Heggie's Dead Man Walking, Remendado in Bizet's Carmen, Natanael and Spalanzani in Offenbach's The tales of Hoffmann. and Servant in R. Strauss's Salome.
Other engagements included Ferrando in Mozart's Cosi fan tutte with the Jerusalem Opera and "Orquesta Ensemble" in London and Hastings (UK), Count Almaviva in Rossini's Il Barbiere di Siviglia with the Jerusalem Opera and the Tel-Aviv Summer Opera Workshop (former IVAI), Don Ottavio in Mozart's Don Giovanni with the Jerusalem Opera in their first ever production at David Citadel in Jerusalem and Don Curzio in Mozart's Le Nozze di Figaro with the Jerusalem Opera, Tenor soloist in Rossini's Petite Messe Solennelle on tour in Roma and solo recital at Viva Vox festivl in Cluj-Napoca.

Segev participated in Master Classes with Rita Dams (the Netherlands), Johaness Manov (Denmark), David Stern (USA), Bertold Schmidt (Germany), Karola Theil (Germany), Dalia Schechter (Germany) Joan Dornemann (the Metropolitan opera, USA) and Graham Johnson (Guildhall school for music and drama, UK),

Segev is a recipient of the 2006-2010 Buchman-Mehta School of music (Tel-Aviv University) scholarship,
2013-2014 America-Israel Cultural fund Scholarship, the 2018 Ronen Foundation Scholarship, the 2018 Buchholtz scholarship on behalf of IVAI and the 2018 Coster-Newman Scholarship (Canada) for the Emerging Artist.


Repertoire:
*Written below is the new repertoire list following the transition to baritone fach

Purcell – Dido and Aeneas (Aeneas)
Mozart – Le Nozze Di Figaro (Conte Almaviva)
Mozart – Don Giovanni (Don Giovanni)
Mozart – Cosi Fan Tutte (Guglielmo)
Donizetti – Don Pasquale (Dr. Malatesta)
Donizetti – Elisir d'Amore (Belcore)
Rossini – Il Barbiere di Siviglia (Figaro)
Rossini – L'Italiana in Algeri (Taddeo)

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