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Pascal Zurek

Primary Skill:

Bass-Baritone

Nationality:

German

Country:

Germany

Languages (fluent):

English, Italian, German, French, Swedish

Opera

Friedrich Wieck
Clara (Victoria Bond)
Osterfestspiele Baden-Baden
2019
Le Grand Inquisiteur
Don Carlos (Verdi)
Independent
2018
Don Giovanni
Don Giovanni (Mozart)
Independent
2018
Betto di Signa
Gianni Schicchi (Puccini)
Wilhelma-Theater Stuttgart
2017
Sparafucile
Rigoletto (Verdi)
Wilhelma-Theater Stuttgart
2017
Kühleborn
Undine (Hoffmann)
Independent
2017
Greif
Alice in Wonderland (Johannes Harneit)
Staatsoper Stuttgart
2016
Mad King
Eight Songs for a Mad King (Maxwell-Davies)
Theaterhaus Stuttgart
2015
M
Zurückbleiben, bitte! (Pascal Zurek)
HMT Rostock
2013

Covered Covered & Performed Scenes Premiere of New Work Concert COVID-cancelled

Pascal Zurek - Mozart - Figaro - Se Vuol Ballare

Alice in Wonderland

Eight Songs for a Mad King

Eight Songs for a Mad King (final scene)

Eight Songs for a Mad King (not staged)

Portrait 2020

Competitions

Sonderpreis hmt Interdisziplinär (2013)

Master of Music: Opera
HMDK Stuttgart
2015–2018
Master of Music: Contemporary Music
HMDK Stuttgart
2013–2015
Music Education
HMT Rostock
2006–2013
Diploma: Physics
University of Rostock
2005–2013

Pascal Zurek has been on stage since age 19. After a very musical childhood with education on many instruments, he first studied Music Education and Physics in Rostock (Germany) and Piteå (Sweden), added courses in Audio Engineering and then deepened his passion for Contemporary Music with a Masters Degree in "Neue Musik/Gesang" at the Music University of Stuttgart.
Among his teachers were Prof. Georg Nigl, Prof. Teru Yoshihara and Prof. Angelika Luz. He attended masterclasses with
Michael Volle, Margreet Honig, Andreas Fischer, Sarah-Maria Sun, Johannes Erath, Conny Krawutschke, Yuri Vassiliev and many others. He held a scholarship by the Studienstiftung des deutschen Volkes and the Haake-Stiftung and was among the fellows of the 2015 SWR Vokalensemble academy.

In 2016, he debuted at the Junge Oper of the Staatsoper Stuttgart in Johannes Harneit's "Alice im Wunderland" (peremiere). During the past years, he was on stage with productions like Puccini's Gianni Schicchi (Betto di Signa), Mozart's Magic Flute (Sarastro), Hoffmann's Undine (Kühleborn), Verdi's Rigoletto (Sparafucile), Kurt Weill's Street Scene (Mr. Olson), Ligeti's Aventures and, in 2018, Verdi's Don Carlos (Le Grand Inquisiteur) while singing in Germany, Austria, Belgium, Sweden, Italy and Hungary. The solo-opera "Eight Songs for a Mad King" by Peter Maxwell Davies is among his favorite pieces.

For the year 2020 he is receiving the scholarship of the Vadstena-Akademi (Sweden) and will be working on the world premiere of "Zebran" by Tebogo Monnakgotla.

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