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Peter Willcock
Primary Skill:
Bass-Baritone
Nationality:
British
Country:
United Kingdom
Languages (fluent):
English, Italian
Opera
Operetta/G&S
Musical Theatre
Theatre
Covered Covered & Performed Scenes Premiere of New Work Concert COVID-cancelled
Peter Willcock began his training in Contemporary Visual and Performance Arts, later moving into the world of Classical Music; As a result, he is equally at home in physical theatre and contemporary arts performances as he is in mainstream opera, oratorio and consorts.
As a soloist he has worked for The Royal Opera House 2, Grange Park Opera, Pimlico Opera, Garsington Opera, and many other smaller companies.
He has been a regular extra chorister at ROH and ENO since 2007
Is 6'4", dark eyes and hair with a lean to average build. Holds a clean driving license and two valid DVB's.
Collaboration work has also taken place with Protein dance company and Without Warning Dance company.
Various recordings and Concerts with early music Ensemble Passamezzo.
Regular Chorister at St John's Wood Church in London. (since 2009)
Vocal Animateur for ROH, ENO, Opera North, WNO Max, Streetwise Opera, Pimlico and Garsington. Trained to work with vulnerable adults.
Roles include- Monterrone (Rigoletto), Papageno (Magic Flute), Billy Jackrabbit and Sid (Fanciulla)
Aeneas (Dido and Aeneas), Dulcamara (L'Elisir D'Amore), Escamillo (Carmen), Grimbald (King Arthur), Seneca (L'Incoronazione di Poppea), Noah (Noah's Flood).
Lesser known (contemporary) roles include Owl (The Owl and The Pussycat) Chairman and Rover (A Doctor's Tale), Fritz (Clockwork), Elephant/Father (Naciketa), Aslan (The Lion The Witch and The Wardrobe), Polar Bear (Jack Frost's Christmas Adventure) to name but a few..
He is also in great demand as an Oratorio soloist.
Other relevant/irrelevant skills/hobbies are
Dance training, Plays Oboe and Recorders, Plays ukulele. Massage Therapist. Collector of folklore and fairytales.
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