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Rebekka Magomedova

Primary Skill:

Pianist

Nationality:

Ukrainian, Russian

Country:

United Kingdom

Languages (fluent):

English, Italian, Russian

Opera

Language coach, pianist
The Queen of Spades (Tchaikovsky)
Azerbaijanian State Opera and Ballet Theatre
2023
Language coach, pianist
Cosí fan tutte (Mozart)
Azerbaijanian State Opera and Ballet Theatre
2022
Pianist
Teodor Currentzis Opera conducting Masterclass (Various)
Diaghilev Festival in Perm, Russia
2021
Apprentice coach for Russian
Eugene Onegin (Tchaikovsky)
Opera Royal de Wallonie
2021
Pianist
Les Contes d'Hoffmann (Offenbach)
Mariinsky Theatre
2021
Pianist
The Fiery Angel (Prokofiev)
Mariinsky Theatre
2020
Pianist on vocal recital
Ildar Abdrazakov and friends. (Various)
The State Moscow Conservatory
2020
Pianist
XVI International Tchaikovsky Competition (Various)
Mariinsky Theatre
2019

Covered Covered & Performed Scenes Premiere of New Work Concert COVID-cancelled

IMG 2976

Postgraduate - Collaborative pianist
Russia, Nizhniy Novgorod State Conservatory
2002–2004
Piano
Russia, Nizhniy Novgorod State Conservatory
1997–2002

Born in 1979 in Russia, I graduated from the Nizhny Novgorod Conservatory in 2002 with a specialization in piano performance and completed an assistant internship as a repetiteur and accompanist in 2004.

From 2013 to 2022, I worked at the Saint Petersburg Conservatory and the Mariinsky Theatre, serving as a repetiteur for the festivals of Ildar Abdrazakov, Teodor Currentzis' Diaghilev Festival, and others (as detailed in my CV).

On March 6, 2022, I relocated from Saint Petersburg to Baku, Azerbaijan, due to the onset of military actions in Ukraine. My mother is Ukrainian.
During the 2022-2024 I held the position of an opera repetiteur and language coach at the Azerbaijan State Academic Opera and Ballet Theatre.

Since June 2024 I live in London and continue to work as a collaborative pianist and language coach.

I am also the author of the Telegram channel "The Floating Opera" and operaclass.net, a new online resource, catering to those who are professionally engaged in or simply interested in opera.

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