“[I] wholeheartedly recommend soprano Robyn Pullen. Robyn is a performer of great versatility and integrity, always turning her skills to the details of what she is singing. We first worked together on a Brahms’ Requiem where her spellbinding aria drew the accompanying choir into her world and they accompanied sensitively as a result. We then worked on a programme of Martines and Mozart, including a rarely performed gem of a piece, where Robyn brought fresh ideas to the table, blending beautiful singing with an understanding of the stylistic requirements of the music. In Mozart’s Requiem, she shone not only as a soloist but as a true collaborator in her ensemble singing, not only with her soloist colleagues, but with the orchestra too. Robyn is a joy to have in the rehearsal room and is always superbly prepared for the task at hand.” (2025)

The soprano Robyn Pullen's intelligent portrayal of Blanche de la Force progressed impressively from pallid idealist to committed heroine, and she delivered the exemplary 1959 English translation by Joseph Machlis with a bright, clear tone and a grateful musicality. To present Blanche at first as a blank canvas made sense as it set her character off on a well-defined journey of self-discovery. (2025)

“The solos were a delight: so refreshing to hear two voices full of youthful vigour. Robyn Pullen (soprano) has a pure, sweet voice, yet can project considerable power. Both singers communicate warm, humorous personalities. […] The two artists performance the duet La ci darem la Mano from Don Giovanni with wit and humour. The audience loved it […].” “The audience was treated to an exciting and outstanding concert. Parry’s Blest Pair of Sirens followed by the captivating solos from Robyn Pullen and Samuel Snowden completed the first half.” (2024)

“Robyn brought style and vigour to the Opera Scenes performance of WolfFerrari’s Le Donne Curiose, singing the demanding role of Rosaura in this lively and imaginatively produced extract from a little-performed and challenging piece. Amidst a quartet of excellent female voices, her voice rang out in the large auditorium. There was air, anxiety, mischief and compassion, all integrated, and portrayed with style and intelligent musicality, by this upcoming and versatile young soprano. Congratulations!” (2023)

“Robyn brought style and vigour to the Opera Scenes performance of Wolf-Ferrari’s Le Donne Curiose, singing the demanding role of Rosaura in this lively and imaginatively produced extract from a little-performed and challenging piece. Amidst a quartet of excellent female voices, her voice rang out in the large auditorium. There was wit, anxiety, mischief and compassion, all integrated, and portrayed with style and intelligent musicality, by this upcoming and versatile young soprano. Congratulations“ (2023)

“[Her] voice is pure and beautiful. I seriously hope we engage you in a future performance!” (2022)

“Earlier we heard more familiar Christmas fare in radiant performances - Corelli’s Christmas concerto and Bach’s great advent cantata “Wachet Auf”. The soloists for the Bach, Robyn Pullen and Dean Robinson, combined rapturously in their two duets […].” (2022)

“Not since I heard the young Amanda Roocroft, singing with us several times in the 1980’s, have I been so certain ‘here is a star in the making’. It was quite breathtakingly beautiful” (2022)

“Robyn sang the Soprano aria in Salford Choral Society’s Brahms’ Ein Deutsches Requiem (in German!) in October 2022. It was a remarkably mature and stylish performance of this challenging (and exposed) music. Choir members were enchanted - and their performance was lifted - by such beautiful singing. She was assured and convincing in both the triumphant and the reassuring aspects of this potentially difficult music. Long standing members of the choir, who have sung this music many times, were spellbound by this quite perfect account of this noble music. Thankyou, Robyn.” (2022)

Acclaimed for her rich tone, expressive phrasing, and vocal versatility, British soprano Robyn Pullen is forging a vibrant career on both the concert and operatic stage.

She holds a Master of Music in Vocal Performance at the Royal Northern College of Music (RNCM), where she studied with the late bass-baritone Matthew Best, and Soprano Linda Richardson, following undergraduate studies at Cardiff University with French vocal coach, Pierre-Maurice Barlier. She has also benefited from tuition and masterclasses with leading artists including Lisette Oropesa, Amanda Roocroft, David Owen Norris, Dearbhla Collins, and Elizabeth Rowe.

As a concert soloist, Robyn is in increasing demand across the UK, working with distinguished choirs and orchestras such as the Academy Choir & Academy Baroque Players, Salford Choral Society & the Baroque in the North Orchestra, Chesterfield Philharmonic Choir & Derbyshire Sinfonia, The Stour Singers and Pershore Choral Society & the Corelli Orchestra. She has appeared under the baton of conductors including Malcolm Pearce, Tom Newall, Roger Hamilton, and Mark Jordan, and has had the privilege of sharing the concert stage with renowned performers including Roderick Williams OBE, Rowan Pierce and Bethan Langford. Her wide-ranging repertoire includes major oratorios and masses such as Brahms’ Ein deutsches Requiem, Haydn’s Nelson Mass and Creation, Mozart’s Requiem and Coronation Mass, Fauré’s Requiem, and Martines’ Dixit Dominus. Recent highlights include Handel’s Israel in Egypt (Wimbledon International Music Festival), Bach’s St John Passion, and Haydn’s Little Organ Mass.

On the operatic stage, Robyn’s engagements include Blanche de la Force Dialogues of the Carmelites(Aylesbury Opera), Mrs Sem Noye’s Fludde (Orchestra of the Swan), Susannah Susannah (Cardiff University Operatic Society), Carmen Carmen (Cardiff University Operatic Society), and Chorus Le Nozze di Figaro(RNCM). In the 2025 season, she joins the Longborough Festival Opera Ensemble for the UK premiere of Avner Dorman’s Wahnfried: The Birth of the Wagner Cult, conducted by Justin Brown and directed by Polly Graham. She has also performed extensively in opera scenes, with repertoire ranging from Strauss Ariadne auf Naxos to Rossini La Scala di Seta.

In 2025, Robyn was a finalist in The Chris Treglown Foundation Awards, adjudicated by Anna Patalong, Benedict Nelson, Naomi Harvey and William Pool.

Beyond the stage, she is dedicated to charitable music-making, having organised and performed in fundraising concerts that have raised significant sums for her parish, blending opera with musical theatre to reach new audiences. She is currently planning to expand these initiatives into a local recital tour.

Robyn is deeply grateful for the generous support of the James & Mary Glass Scholarship during her studies at the RNCM.

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