View: Oratorio and Lied concert, Schloss Schönbrunn Theater

Mozart Competition - Highly Commended (2018)

www.yorkpress.co.uk/leisure/music/17777374.re… (2019)

www.yorkpress.co.uk/news/17788507.review-ryed… (2019)

Rosamond Thomas recently graduated with Distinction from the Vocal Performance Masters program at the Universität für Musik und darstellende Kunst, Wien, where she studied under the tutelage of Regine Köbler, Christoph Meier and Florian Boesch. She has a First Class Honours BMus from the Royal Academy of Music, where she studied with a scholarship under the tutelage of Mary Nelson and Matthew Fletcher.
Rosamond is an experienced song recitalist, recently performing recitals in the Bösendorfer Salon and Gesellschaft für Musiktheater in Vienna, and in London singing programs of songs by Roxanna Panufnik (Ryedale Festival), Ravel’s Trois chansons de Stéphane Mallarmé, contemporary songs written by RAM composers, and Rachmaninov songs in the Rachmaninov Festival at Pushkin House. She has sung in masterclasses with Helmut Deutsch (2020), Christoph Pregardien (2019, London Song Festival) and Justus Zeyen (2019).
As a concert singer, Rosamond has further enjoyed recent concert performances including Handel’s Messiah, selected oratorio arias and ensembles in Theater Schönbrunn with Erwin Ortner, Copland’s In the beginning (Mousai Singers), Bach’s Christmas Oratorio (Blackheath Centre for Singing), Duruflé’s Requiem (Concordia), Dvorak’s Stabat Mater (Fulham Camerata) and Mozart’s Mass in C Minor (Harrow School).
Rosamond recently sang the roles of Asteria in Glück’s La Corona for Teatro Barocco and Dido in Purcell’s Dido and Aeneas at the University. She covered the role of Komponist in Strauss’ Ariadne auf Naxos and performed the role of L’Enfant in Ravel’s L’Enfant et les sortilèges, both in Schlosstheater Schönbrunn (2020/21) and sang Sorceress in Dido and Aeneas in the Ryedale Festival 2019. Previous stage work includes the role of Giulio Cesare in Handel’s Giulio Cesare for King’s College Opera in 2017, and scenes from Il matrimonio segretto (Elisetta, RAM 2019), Eugene Onegin (Olga), and The Magic Flute (Third Lady).
Successes at the Academy included achieving the Arthur Burcher Memorial Prize twice, and the Andrew S Sykes Award. She represented the Academy at the Kathleen Ferrier Bursary Awards 2016, and was Highly Commended in the National Mozart Competition 2018.
Growing up near Salisbury, Rosamond first began singing in the Salisbury Cathedral Choir, and she continues to sing in consorts and ensembles professionally.

Any message that you send here will be checked by Audition Oracle for suitability (to filter out spam), and then forwarded to Rosamond Thomas.