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Photo: Broadway Studios

Sam Leggett

Primary Skill:

Tenor

Nationality:

British

Country:

United Kingdom

Languages (fluent):

English

Opera

Chorus
Die Maßnahme (Eisler)
Birmingham Opera Company
2023
Albert Herring
Albert Herring (Britten)
Royal Conservatoire of Scotland
2022
Nemorino
L'Elisir D'Amore (Donizetti)
Royal Conservatoire of Scotland
2022
Alfred
Die Fledermaus (Strauss, J)
Royal Conservatoire of Scotland
2021
Idomeneo
Idomeneo (Mozart)
Royal Conservatoire of Scotland
2021
Lysander
A Midsummer Night's Dream (Britten)
Royal Conservatoire of Scotland
2021
Don Curzio
Le Nozze di Figaro (Mozart)
Royal Conservatoire of Scotland
2021
Remendado
Carmen (Bizet)
Bristol Opera
2017
Ferrando
Cosi Fan Tutte (Mozart)
LoveOpera
2017
Count Almaviva
The Barber of Seville (Rossini)
Tessitoura
2017

Operetta/G&S

Chorus
The Pirates of Penzance (Sullivan)
Forbear Theatre
2021
Chorus
The Yeomen of the Guard (Sullivan)
Forbear Theatre
2021
Lord Tolloller
Iolanthe (Sullivan)
Bristol University Operatic Society (BOpS)
2015

Musical Theatre

Adolfo Pirelli
Sweeney Todd: The Demon Barber of Fleet Street (Sondheim)
Bristol University Operatic Society (BOpS)
2016

Chorus

Oratorio/Concerts

Tenor Soloist
Requiem (Mozart)
St Martin’s Voices
2020
Tenor Soloist
Nelson Mass (Haydn)
St Martin’s Voices
2020
Tenor Soloist
Mass in D, Op. 86 (Dvorak)
Shoreham Oratorio Choir
2018
Tenor Soloist
The Crucifixion (Stainer)
Bath Abbey Choir
2017
Tenor Soloist
The Crucifixion (Stainer)
University of the West of England Chamber Choir
2017
Tenor Soloist
Spatzenmesse, KV 220 (Mozart)
Stroud Choral Society
2017
Tenor Soloist
Mass in G minor (Vaughan Williams)
Bristol University Singers
2016

Choral

1 st Tenor Chorus
The Passing of the Year (Dove)
St Martin’s Voices
2021

Covered Covered & Performed Scenes Premiere of New Work Concert COVID-cancelled

‘Una Furtiva Lagrima’, L’elisir d’amore (Donizetti)

Barber of Seville 2

Cosi Fan Tutte 1

DSC 3558

St Georges

Vocal Studies
Royal Conservatoire of Scotland
2020–2022
BA Music (Honours)
University of Bristol
2013–2016

Sam Leggett is an English tenor and conductor based in London. He began singing in 2002 with the renowned boys’ choir Libera, in albums, on television and on worldwide tours. He went on to read music at Bristol University, where he studied singing with Angela Hickey (Chair of the Association of Teachers of Singing) and conducted the chamber choir.

Sam made his professional operatic debut creating the role of Lord Alfred Douglas in 1936: Fishing by Robert Ely. His previous roles include Edward Ferrars Sense and Sensibility, Count Almaviva The Barber of Seville (Tessitoura); Le Remendado Carmen (Bristol Opera); Ferrando Cosi Fan Tutte (LoveOpera); Adolfo Pirelli Sweeney Todd and Lord Tolloller Iolanthe (Bristol University), and scenes from Albert Herring, L’Elisir d’amore, Idomeneo, Die Fledermaus, A Midsummer Night’s Dream, and Le Nozze di Figaro. He has appeared as a soloist with London City Orchestra, Woking Choral Society, London Welsh Chorale, Epiphoni Consort, Shoreham Oratorio Choir, Saint Richard Singers, and Stroud Choral Society.

An accomplished choral singer, Sam has held back-row roles at Bristol Cathedral, Bath Abbey, and Chichester Cathedral, highlights of which include singing on tours to Europe, on BBC Live Choral Evensong, on the album Lest we Forget (Signum), and in Bernstein’s Chichester Psalms with Bournemouth Symphony Orchestra and Marin Alsop. He is also a graduate of Genesis Sixteen, St Martin’s Voices Fellowship, and the Dunedin Consort’s Bridging the Gap scheme.

Sam recently completed his master’s degree in Vocal Performance at the Royal Conservatoire of Scotland under the tutelage of Scott Johnson. He can be seen regularly in and around London singing in and directing choirs, operas and musicals, with forthcoming appearances in Tristan und Isolde (Grange Park Opera), Brontё: The Opera (Grimeborn) and Elena e Gerardo (Random Opera).

Contact Sam Leggett

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