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Photo: Labudefoto.de

Solgerd Isalv

Voice Type:

Mezzo-Soprano

Nationality:

Swedish

Country:

Germany

Languages (fluent):

English, German, Swedish

Opera

Carmen
La tragédie de Carmen (Bizet/Constant)
Wermland Opera
2019
Néris
Médée (Cherubini)
Oper Starnberg
2018
Carmen
Carmen (Bizet)
Ensemble Leonhardi
2018
Feodor
Boris Godunov (Mussorgsky)
GöteborgsOperan
2018
Charlotte
die Soldaten (Zimmermann)
Staatstheater Nürnberg
2018
Isabella
L'italiana in Algeri (Rossini)
Staatstheater Nürnberg
2017
Siébel
Faust (Gounod)
Norrlandsoperan
2017
Wellgunde
Rheingold (Wagner)
Staatstheater Nürnberg
2017
Wellgunde
Götterdämmerung (Wagner)
Staatstheater Nürnberg
2017
Zweite Norn
Götterdämmerung (Wagner)
Staatstheater Nürnberg
2017
Hänsel
Hänsel und Gretel (Humperdinck)
Staatstheater Nürnberg
2016
The Innkeeper
Boris Godunov (Mussorgsky)
Staatstheater Nürnberg
2016
Mercédès
Carmen (Bizet)
Staatstheater Nürnberg
2016
Maddalena and Giovanna
Rigoletto (Verdi)
Staatstheater Nürnberg
2016
Cherubino
Le nozze di Figaro (Mozart)
Staatstheater Nürnberg
2015
Flora Bervoix
La traviata (Verdi)
Staatstheater Nürnberg
2015
Celia
la fedelta premiata (Haydn)
Markgrafentheater Erlangen
2015
Zweite Dame
die Zauberflöte (Mozart)
Staatstheater Nürnberg
2014
Olga
Eugen Onegin (Tchaikovskij)
Vaasan Ooppera
2012
Lucretia
The Rape of Lucretia (Britten)
Theater Philharmonie Gera
2010

Operetta/G&S

Prince Orlofsky
Fledermaus (J.Strauss)
Staatstheater Nürnberg
2015

Covered Covered & Performed Scenes Premiere of New Work Concert

Cherubino Dec18

PerLuiCheAdoro Isalv Jan30th

Va! Dec18


”passionate, crazy, erotic and with a gorgeous mezzo soprano”

Mezzo-soprano Solgerd Isalv was born in Råneå, Sweden. After early training as a violinist and violist she went on to study solo voice at the Academy of Music and Drama at the University of Göteborg with Marianne Schell and Prof. Eva Nässén, finishing with a Master's Degree in Music Performance.
She has taken part in Masterclasses with teachers including Håkan Hagenård, Matti Hirvonen, Kiri te Kanawa, Anna Larsson, Neil Mackie, Thomas Quasthoff and Birgitta Svendén. In 2013 she was one of few young singers accepted to the Wagner Academy in ‘s-Hertogenbosch, where she studied with Dunja Vejzovic.
Solgerd Isalv has received numerous grants during her studies and early career, which include the prestigous Swedish Wagner Scholarship, as well as scholarships from the Royal Swedish Academy of Music and the Swedish Arts Grants Committee.

As a freelance mezzo-soprano Solgerd Isalv signed her first professional contracts with Skånska Operan and Göteborgs Operan. Soon after she successfully presented her German debut, performing the title role in the Rape of Lucretia at the Kammeroper Schloß Rheinsberg (E.Solén/M.Oldag). This led to her first German guest engagement at the Theater in Gera/Altenburg. She also sang Lucretia in the same production at the Miskolci Nemzetközi Operafesztivál in Hungry. For the seasons 2014/15 and 2015/16 Solgerd Isalv was a member of the Nuremberg Young Artists Programme and then continued as a member of the fest-ensemble. At the State Theatre Nuremberg she sung important parts as Charlotte in die Soldaten (M.Bosch/P.Konwitschny), Wellgunde (M.Bosch/G.Schmiedleitner) Zweite Norn, Zweite Dame (P.Tilling/Scozzi) Hänsel (G.Rumstadt/Baesler) und Cherubino (Tilling/Clement) as well as Orlofsky, Giovanna, The Innkeeper and Feodor in Boris Godunov (M.Bosch/P.Konwitschny) and Mercedes. She also covered Isabella in L'italiana in Algeri and Carmen.

Praised by critics for her stage presence and acting ability, Solgerd Isalv is working on a freelance basis since the season 17/18 and has worked in several Scandinavian opera houses such as GöteborgsOperan (Boris Godunov, L.Hussein/P.Konwitschny), Norrlandsoperan (Faust, E.Solén/E-M.Melbye) and Vaasan Ooppera (Eugen Onegin, J.Iisakkila/V.Kiljunen). For her performance of Cherubino at State Theatre Nuremberg (P.Tilling/M.Clément) she was nominated as the best upcoming female singer of the year in the magazine Opernwelt.

Her unusually flexible voice and wide knowledge of music allow Solgerd Isalv to move effortlessly between baroque, romantic and contemporary repertoire. In demand as a performer of contemporary music, she has sung six world premieres such as the opera Die Verwandlung (The Metamorphosis) (S.Peiffer, Hamburg, 2011) (F.Pätzold/M.Darbyshire) and the rock opera KULT (O. Salo, Swedish Radio Theatre, 2013) (J.Nydesjö/M.Wennersten). She has also toured in Germany successfully with the early music ensemble EGG, performing a programme of renaissance and baroque music by female composers, with the title “Donne che spaccano”

As a recitalist she is known for exciting, sometimes surprising programmes, preferably with literary connections. Already as a student she made a point of including contemporary music in her recitals. She was already then a frequent guest in different chamber music series in Sweden, in which she has, to date, premiered three song cycles, one of which was written for her. Together with the pianist Jonas Olsson she has formed an active art song duo.
Her wide ranging concert repertoire includes Bernstein's Symphony No1 (I.Schilffarth,Philharmonie Nürnberg), Ravel‘s Shéhérazade (C.Rydinger-Ahlin), Mendelssohn's Lobgesang (S.Hartwich-Düfel), Wagner's Wesendonck Lieder, Elgar‘s Sea Pictures (L.Karlsson, Norrbotten Youth Symphone Orchestra), as well as songs by Mahler (I.Schilffarth), Nystroem and Weill. Her wide sacred repertoire includes many works by J.S.Bach as well as later composers; she recently sang Mendelssohn's St. Paul in a performance with Pavel Kogan and the Moscow Symphony Orchestra, for example.

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