Covered Covered & Performed Scenes Premiere of New Work Concert
I bought this suitcase in New York (Minskwoman) - Flight, Dove - Thalie Knights
La giustizia - G.Cesare - Thalie Knights
1st Prize Oratorio Class, Croydon Music Festival (2010)
"...Knights' impressive control and poise, which brought all the passion and drama of any Italian opera" Elinor Bishop, Early Music Today (Il Trionfo del Tempo e del Disinganno, 2018) (2018)
"Mezzo Thalie Knights brought a dramatic edge to the Gloria, and beautifully led off an exquisite Agnus Dei." Eastbourne Herald (2017)
‘’Thalie Knights made a strong, passionate Armide. Tall and distinguished, she had a commanding stage presence making Armide's sense of power quite believable. Knights gripped us from beginning to end.’’ - Robert Hughill, Planet Hugill (Armide) (2016)
''...Thalie Knights in the travesty role of the alternative male love interest Frédéric, made good impression.'' Hugh Canning, Opera (Mignon) (2015)
French bi-lingual Thalie trained with English National Opera on their distinguished Opera Works programme (2014/15) and was a 2016 Britten-Pears Young Artist where she performed Bach Cantatas under the guidance of tenor Mark Padmore. A finalist of the 2017 London Song Festival Lieder competition, Thalie was personally selected by Malcolm Martineau to take part in his residential masterclass series in Crear, Scotland, in January 2018. She is an alumna of the Royal Welsh College of Music and Drama.
2018/19 will see Thalie sing the role of Piacere IL TRIONFO DEL TEMPO E DEL DISINGANNO (Le Festival de musique du Périgord Noir), Prue THE DANCING MASTER (The Malcolm Arnold Festival), chorus for Longborough Festival Opera in their production of Wagner's DER FLIEGENDE HOLLÄNDER and a concert performance of Hänsel HÄNSEL UND GRETEL.
With ENO she studied Bradamante ALCINA, Cornelia GIULIO CESARE and subsequently sang Medoro ORLANDO in the final performance - Landscape - at the Bloomsbury Theatre, London. Operatic roles include Mallika LAKMÉ (Guildford Opera), ARMIDE (Woodhouse Opera), Phèdre, cover, HIPPOLYTE ET ARICIE (Linden Baroque), Second Lady THE MAGIC FLUTE (Hampstead Garden Opera), Third Lady THE MAGIC FLUTE (St John's Opera) , Frédéric MIGNON (New Sussex Opera), Mrs Kneebone A DINNER ENGAGEMENT (Bute Park Opera), Maman L’ENFANT ET LES SORTILÈGES (Bute Park Opera), Dog CUNNING LITTLE VIXEN, Sorceress DIDO AND AENEAS, Andreloun MIREILLE, and chorus in THE POISONED KISS, HUGH THE DROVER andDIE RHEINNIXEN (New Sussex Opera). For Longborough Festival Opera, Thalie has sung Chorus for their productions of Beethoven's FIDELIO and Gluck's ORFEO ED EURYDICE.
RWCMD roles in scenes have included Annio LA CLEMENZA DI TITO, Ursule BÉATRICE ET BÉNÉDICT, Madame de la Haltière CENDRILLON and Meg THE MERRY WIVES OF WINDSOR.
A frequent performer of Oratorio, roles consist of Micah SAMSON, Alto soloist in Handel’s MESSIAH, Pergolesi’s STABAT MATER, Saint-Saens’ CHRISTMAS ORATORIO, Bach's MAGNIFICAT, Haydn's NELSON MASS, Bruckner TE DEUM, Vivaldi's GLORIA and Mozart's REQUIEM. She has performed as a concert artist at The Royal Albert Hall, St John Smith Square, The Royal Courts of Justice, Cadogan Hall and the beautiful 12th Century Cathedral of Saint Amand-de-Coly in France.
Thalie has performed in masterclasses under Malcolm Martineau, Christian Curnyn, Ann Murray, Christophe Rousset, Della Jones, Philip Lloyd-Evans, James Bowman, John Shirely-Quirk and Sophie Daneman.
Other solo performances include winning the Oratorio class at the Croydon Music Festival in 2010.
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