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Thomas Stevenson

Primary Skill:

Baritone

Nationality:

British

Country:

United Kingdom

Languages (fluent):

English

Opera

Dr Bartolo
The Marriage of Figaro (Mozart)
Saint Alban's Chamber Opera
2026
Simone
Gianni Schicci (Puccini)
Saint Alban's Chamber Opera
2025
Tonio
Pagliacci (Leoncavallo)
North Wales Opera Studio
2025
Dr Bartolo, Antonio
Le Nozzle Di Figaro (Mozart)
Opera Anywhere, Midelney
2025
Zuniga
Carmen (Bizet)
Clyde Opera
2025
Don Inigo Gomez
L'heure Espanol (Maurice Ravel)
Clyde Opera
2025
The Knight
The Rapture (Edward Lambert)
The Music Troupe
2025
Joesph
Bethlehem (Boughton)
New Sussex Opera
2024
Colline
La Boheme (Puccini)
Bread and Busstop
2024
Benoit/Alcindoro
La Boheme (Puccini)
North Wales Opera Studio
2023
Superintendant Budd
Albert Herring (Benjamin Britten)
Clonter Opera, Congleton
2022
Geronimo
Opera Scenes (Cimarosa)
Royal Conservatoire of Scotland AGOS Studio
2019
Eugene Onegin
Eugene Onegin (Tchaikovsky)
AIMS International Summer Music School
2017
Don Magnifico
La Cenerentola (Rossini)
Warwick Arts Centre
2012
1st Bass Chorus
Le nozze di Figaro (Mozart)
Warwick University, Opera Warwick
2011

Chorus

1st Bass Chorus
Cavalleria Rusticana (Mascagni)
North Wales Opera Studio
2025
1st Bass Chorus
L'italiana in Algeria (Rossini)
Scherzo Ensemble, Newton Valence
2025
1st Bass Chorus
Elena e Gerardo (Marianna Boittini)
Random Opera, Rugby
2023
1st Bass Chorus
La Cenerentola (Rossini)
Scherzo Ensemble, Newton Valence
2023
1st Bass Chorus
La Traviata (Verdi)
Oxford Opera, Oxford
2023
1st Bass Chorus
The Rakes Progress (Igor Stravinsky)
New Palace Opera
2023
1st Bass Chorus
La Boheme (Puccini)
Hastings Philharmonic Orchestra, St Leonards
2022
2nd Bass Chorus
L'Elisir D'amore (Donizetti)
Random Opera Company, Rugby
2021
Bass Chorus
Le Mamelles de Tiresias (Poulenc)
Royal Conservatoire of Scotland Atheneam Theatre
2019

Oratorio/Concerts

Cadmus/Somnus
Semele (Handel)
Ensemble Orquestra, Cockpit Theatre
2024

Choral

2nd Bass Chorus
Symphony Kukai (Zou Ye)
Central Hall Westminster
2024
1st Bass Chorus
Sunrise Mass, and a Fancy of Folksongs (Ola Gjeilo and Cecilia McDowall)
Malmesbury Choral Society
2024
Bass soloist
Cruxifiction (Stainer)
Peebles Church
2022
Baritone Chamber Chorus
Blue Hills Beyond Blue Hills (Judith Weir)
Stevenson Hall, Royal Conservatoire of Scotland
2020
1st Bass Chorus
B Minor Mass (Anton Bruckner)
Glasgow Cathedral
2019
Bass soloist
Stabat Mater (Rossini)
AIMS Summer School
2017
Bass Chorus
Stabat Mater (Karl Jenkins)
London Philharmonic Choir
2015
Bass Chorus
'The Bells' and 'Russian Songs' (Rachmaninoff)
London Philharmonic Choir
2015
Bass Chorus
Requiem Canticles (Stravinsky)
London Philharmonic Choir
2015
Bass Chorus
Reqiuem (Verdi)
London Philharmonic Choir
2015
Bass Chorus
Balld of Canada (Forsyth)
London Philharmonic Choir
2014
Bass Chorus
The Poem of Fire (Scriabin)
London Philharmonic Choir
2014
Bass Chorus
Symphony No.9 (Beethoven)
London Philharmonic Choir
2014

Classical

1st Bass Chorus
Lord of the Rings Return of the King In Concert (Howard Shore)
Royal Albert Hall
2024

Film/TV

Extra actor
Hemel (Director- Luke Moody)
Film, Hemel Hempsted
2023
Extra actor
Falling for Figaro (Director- Benjamin Lewin)
Film, Glasgow
2019
Extra actor
The Riot Club (Director- Lone Scherfig)
Film
2014

Theatre

Duke of Clarence
Richard The Third (Harriet Bushman)
The Roman Theatre
2024

Covered Covered & Performed Scenes Premiere of New Work Concert COVID-cancelled

madamina, il catalogo e questo

Tyrrels aria, Richard III to music, Harriet Bushman

Benoit, NWOS La Boheme, 2023- Credit: Stephen Cain Photography

Duke of Clarence, Shakespeare's Richard III, scored by Harriet Bushman, Credit- Jack Sain

Superintendent Budd, Clonter Opera's Albert Herring, 2022- Credit: Andrew Billington photography

The Knight, Music Troupe's The Rapture, Credit: Claire Shovelton

Zuniga, Clyde Opera's Carmen, 2025, Credit: Quentin

MMus in Vocal Studies
Royal Conservatoire of Scotland
2018–2020
DipABRSM
ABRSM
2016
MA English Literature
University of Warwick
2013–2014
BA English and Theatre Studies
Warwick University
2010–2013

If you give me your attention, I will tell you who I am.

Range: F2-F#4
Interests: Verismo, comic/buffa opera, modern opera.

Why opera?
It fuses music, speech and movement in a way only Shakespeare has for me.

Dream goal?
To make a full time income singing opera.

Favorite composers to perform?
Mozart, Britten, Puccini.

Other hobbies?
Volunteering, writing, baking/cooking.

Inspirations?
Samuel Ramey, Dmitri Hvorostovsky, Giorgio Zancanaro.

Contact Thomas Stevenson

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