Covered Covered & Performed Scenes Premiere of New Work Concert
Papageno Suicide Aria
Hope Scott Trust Award (2018)
Mario Lanza Educational Foundation Award (2018)
ABRSM UK Postgraduate Award (2017)
Mario Lanza Educational Foundation Award (2017)
"Her Figaro, Timothy Edmundson, is very solid in his singing and acting" http://theweereview.com/review/the-marriage-of-figaro-3/ (2017)
"Jonathan Forbes Kennedy’s Count and Timothy Edmunson’s Figaro bring just the right balance of authority and vulnerability to their parts both vocally and with their acting" https://edinburgh49.org/2017/03/02/the-marriage-of-figaro-assembly-roxy-1st-3rd-and-4th-march-17/ (2017)
"Then, in the middle of it all stomping about in dramatic operatic fashion was Timothy Edmundson’s Figaro, who just got better & better as the performance went on, especially when he sang to Cherubino;" https://mumbleopera.net/2017/03/01/the-marriage-of-figaro/ (2017)
British baritone Timothy Edmundson, studies on the Master of Music Performance programme under the tutelage of Scott Johnson at the Royal Conservatoire of Scotland (RCS), Glasgow where he is generously supported by the Mario Lanza Educational Foundation, the Labyrinth Trust and the ABRSM UK Postgraduate Scholarship award. He previously graduated from the RCS with Honours in Vocal Studies in June 2016.
A highly experienced choral singer, he is currently a lay clerk at Glasgow Cathedral and was bass soloist for their performance of Haydn’s The Creation. With RCS Voices, the conservatoires elite chamber choir, Timothy has sung Messian Cinq rechants, Bach Weihnachts-Oratorium, St.John Passion and toured to the St.Magnus Festival in Orkney and the Aberdeen International Youth Festival. He has also benefited from membership to the student scheme of the Philharmonia Chorus with whom he has performed Verdi Requiem, Handel Messiah and Mahler Symphony No.2. On the concert platform, he has sung as Bass soloist for Handel The Messiah, Stainer The Crucifixion, Fauré Requiem, Puccini Messa di Gloria and Mozart Requiem and Beethoven Symphony No.9 at the Glasgow Royal Concert Hall.
Operatic roles include Betto di Signa (Gianni Schicchi - RCS), Papageno (Die Zauberflöte - Berlin Opera Academy), Figaro The (Marriage of Figaro - Edinburgh Studio Opera), Schaunard (La Bohème - Edinburgh Grand Opera), and Rugby (Sir John in Love - RCS). He has also covered the roles of Sam (Trouble in Tahiti - RCS) and Valentin (Faust - Winterbourne Opera)
Opera scenes highlights include Zurga (Les Pêcheurs de Perles), Count Almaviva (Le Nozze di Figaro), Malatesta (Don Pasqaule), Guglielmo (Così fan tutte), Suplice (La Fille du Regiment), The Steward (Flight) and the title role in Don Giovanni. He has also sung chorus for several Conservatoire productions including Dido and Aenaes, La Rondine and Stravinsky The Rake’s Progress at the Edinburgh International Festival with the Scottish Chamber Orchestra conducted by Sir Andrew Davis. Last year, he sang with Scottish Opera for their concert performance of Prokofiev’s The Fiery Angel.
He looks forward to performing Schubert's Schwanengesang in Bothwell, Haydn Nelson Mass as bass soloist with Ayrshire Choral Experience before joining the Alexander Gibson Opera School at the Royal Conservatoire of Scotland in September 2019.
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