Covered Covered & Performed Scenes Premiere of New Work Concert
Hope Scott Trust Award (2018)
Mario Lanza Educational Foundation Award (2018)
ABRSM UK Postgraduate Award (2017)
Mario Lanza Educational Foundation Award (2017)
RCS Governors Recital Prize - Finalist (2020)
RCS Governors Recital Prize - Finalist (2019)
"Timothy Edmundson played Macheath with an over-likeable arrogance, but was true to the scheming character whether in prison or at large." https://bachtrack.com/review-weill-threepenny-opera-royal-conservatoire-scotland-glasgow-february-2020 (2020)
"Her Figaro, Timothy Edmundson, is very solid in his singing and acting" http://theweereview.com/review/the-marriage-of-figaro-3/ (2017)
"Jonathan Forbes Kennedy’s Count and Timothy Edmunson’s Figaro bring just the right balance of authority and vulnerability to their parts both vocally and with their acting" https://edinburgh49.org/2017/03/02/the-marriage-of-figaro-assembly-roxy-1st-3rd-and-4th-march-17/ (2017)
"Then, in the middle of it all stomping about in dramatic operatic fashion was Timothy Edmundson’s Figaro, who just got better & better as the performance went on, especially when he sang to Cherubino;" https://mumbleopera.net/2017/03/01/the-marriage-of-figaro/ (2017)
British baritone Timothy Edmundson is currently studying at the Alexander Gibson Opera School under the tutelage of Scott Johnson at the Royal Conservatoire of Scotland (RCS), Glasgow. He previously graduated from the RCS with both Honours in Vocal Studies and a Master of Music.
Recent operatic highlights include his role debuts as Macheath Die Dreigroschenoper and Betto di Signa Gianni Schicchi, both for RCS Opera, Papageno Die Zauberflöte for Berlin Opernfest, the title role in The Marriage of Figaro for Edinburgh Studio Opera and Schaunard La Bohème for Edinburgh Grand Opera.
Scenic roles and covers include Faninal Der Rosenkavalier, 1st Lieutenant Billy Budd and Vater Hänsel und Gretel Sam Trouble in Tahiti, Valentin Faust, Zurga Les Pêcheurs de Perles, Count Almaviva Le Nozze di Figaro, Malatesta Don Pasqaule, Guglielmo Così fan tutte and the title roles in Don Giovanni and Gianni Schicchi. Chorus work has led to him performing at prestigious events such as the Edinburgh International Festival and the BBC Proms under the baton of conductors including Gustavo Dudamel, Daniel Barenboim and Sir Andrew Davis. Works including Mahler Symphony No.2, Stravinsky The Rake’s Progress, Wagner Götterdämmerung and Scottish Opera’s The Fiery Angel by Prokofiev.
On the concert platform, Timothy is in demand throughout the United Kingdom and Europe with repertoire including Handel Messiah, Duruflé Requiem, Fauré Requiem, Puccini Messa di Gloria, Mozart Requiem and Beethoven Symphony No.9 which he performed at the Glasgow Royal Concert Hall. As a lay clerk with the Choir of Glasgow Cathedral, he is a frequent soloist, and was soloist with them for Haydn’s The Creation.
Recent highlights include the Governors Recital Prize at RCS as a finalist and was the winner of the Clare Castle Memorial Scholarship to perform the role of Papageno at Berlin Opera Academy. Future engagements include Curio - Giulio Cesare, Minskman - Flight and Le Chat in L’enfant et les sortilèges with the BBC Scottish Symphony Orchestra.
He is grateful for his studies being supported by RCS Trust Scholarship, the Dewar Arts Awards, the Sir Richard Stapely Educational Trust, and the McGlashan Charitable Trust.
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