Maidment Award, Help Musicians UK (2018)

Oglesby Scholarship, Royal Northern College of Music (2018)

Postgraduate Bursary, Royal Northern College of Music (2018)

The Clemence Charitable Trust, Award (2018)

The Lynn Foundation, Award (2018)

The Mario Lanza Educational Foundation, Award (2018)

Postgraduate Award, Help Musicians UK (2017)

Postgraduate Bursary, Royal Northern College of Music (2017)

Philip Johnston Award for Musical Excellence, Southampton Operatic Society (2016)

Richard Newitt Fund Scholarship, Royal Northern College of Music (2016)

Cedric Thorpe Davie Memorial Prize, University of St Andrews (2015)

Cedric Thorpe Davie Vocal Scholarship, University of St Andrews (2014)

Choral Scholarship, Holy Trinity Church Choir (2013)

Choral Scholarship, St Andrews Chorus (2012)

Finalist: Elizabeth Harwood Memorial Prize (2019)

Semi-finalist: Mozart Singing Competition (2019)

1st Prize: Sir Anthony Lewis Memorial Prize Competition (2018)

Finalist: Concerto Competition, Royal Northern College of Music (2018)

Finalist: Patricia Routledge National English Song Competition, AESS (2018)

Highly commended: Brodsky Cross-School Prize, Royal Northern College of Music (2018)

Winner: Joyce and Michael Kennedy Award for Singing of Strauss (2018)

Finalist: Joyce and Michael Kennedy Award for Singing of Strauss (2017)

Nominee: Best Performance in an Opera, Southampton Daily Echo Curtain Call (2017)

Winner: Brodsky Cross-School Prize, Royal Northern College of Music (2017)

2nd Prize: Courtney Kenny Award for English Song and Poetry, AESS (2016)

Nominee: Best Female Performer, International Gilbert and Sullivan Festival (2014)

Winner: Best Duet, International Gilbert and Sullivan Festival (2014)

Winner: Best Female Voice, International Gilbert and Sullivan Festival (2014)

Nominee: Best Character Actress, UniFest at the International Gilbert and Sullivan Festival (2013)

Winner: Best Duet, International Gilbert and Sullivan Festival (2013)

“…soprano Caroline Taylor…gave impressively clear but delicate interpretations of a trio of reflective songs by the French Boulanger sisters, Lili and Nadia.” Soprano soloist in Sheffield Classical Weekend, Sheffield Philharmonic Chorus; Philip Andrews, Sheffield Telegraph. (2019)

"Still studying, but already possessing a the ability to express the lyrics and the music to the audience (without it feeling at all forced or dominant), Caroline Taylor is clearly a name to watch out for. Backed up by some energetic (where appropriate) string playing in Britten's 'Les Illuminations' her singing entranced the good sized audience. Ms. Taylor also provided the class end to the chamber orchestra arrangement of Mahler's Symphony No. 4 that formed the second half of the concert." Soloist in Britten's 'Les Illuminations' and Mahler's 'Symphony No. 4' (chamber arrangement), Helix Ensemble; Roger Swann. (2018)

“…Taylor and Finsbury truly shone as Sara and Hanna respectively. Taylor was able to give a strong vocal performance against the often overpowering musical accompaniment […] it was a quality production, with the orchestra expertly conducted by Mark Heron and exceptional vocal work from Taylor, Finsbury, and Vallis as the leads.” Andrew Marsden, Reviewer Numbernine. (2018)

“…the thwarted young lovers Lauretta and Rinuccio at this performance […] brought a fresh silvery innocence to their singing that was very appealing, and Lauretta had the audience in the palm of her hand during her famous “O mio babbino caro” aria.” Lauretta in Puccini's Gianni Schicchi, RNCM Opera; Thalia Terpischore, Reviewer Numbernine. (2018)

“Caroline Taylor brought an engaging soprano sound and lively stage awareness to the role of Sara, joining feelingly in several trios with Fiona Finsbury (soprano) as Hanna and Lucy Vallis (mezzo) as Magda.” Martin Dreyer, Opera Magazine. (2018)

“It is consistently well sung and acted. Taylor and Edlin really wring your heart in their scenes together. ****” Tim Ashley, The Guardian. (2018)

“Most importantly, there was much fine singing, especially from the women […] Caroline Taylor was a feisty Helena of independence and impetuousness.” Helena in Jeremy Sams' The Enchanted Island, British Youth Opera; Claire Seymour, Opera Magazine. (2018)

“Natalie Davies and Caroline Taylor’s characters Hermia and Helena felt a little underwritten but given the opportunity to shine in the duet “Men are fickle” they sparkled. ****” Anthony Evans, Planet Hugill. (2018)

“The aria “O mio babbino caro”, sung by Caroline Taylor as Lauretta, was performed with simple sincerity – a refreshing change from the cloying nature in which it’s often heard. ****” Lauretta in Puccini's Gianni Schicchi, RNCM Opera; Leighton Jones, Bachtrack. (2018)

“The opera is beautifully constructed […] the music…is of extraordinary skill, passion and beauty […] The acting singers…were highly effective in character portrayal and excellent in sound. ****” Robert Beale, The Arts Desk. (2018)

“Clearly relishing her title role Caroline Taylor as Lucette, known as Cendrillon, excelled both in voice and acting prowess moving with grace. Looking elegant in her gorgeous evening dress and suitably demure in her adopted personality Taylor made a most credible downtrodden heroine who has found love with a handsome Prince. Reasonably bright with a light creamy tone the soprano doesn’t have a particularly large voice, but it’s a most attractive one. The coloratura requirements and high notes were satisfyingly achieved by Taylor displaying real promise." Cendrillon in Massenet 'Cendrillon', RNCM Opera; Michael Cookson, Seen and Heard International. (2017)

“…[I] was captivated by a young soprano, Caroline Taylor, who hasn’t even reached music college yet (she starts next term) but sang the Governess with exactly the right mix of beauty and neurosis.” Governess in Britten's 'The Turn of the Screw', Byre Opera; Michael White, The Catholic Herald. (2016)

“…a hugely impressive piece of work for such a young group of performers. Caroline Taylor, about to take up a scholarship at the Royal Northern College of Music, returned to the company as the Governess. Taylor gets better by the year, in this role conveying convincingly not just youth and naievety but the necessary neurotic behaviour […] beautifully sung, strongly characterised…” Governess in Britten's 'The Turn of the Screw', Byre Opera; Iain Fraser, Opera Scotland. (2016)

“Caroline Taylor blossomed as the Governess. She inhabited the part, held the stage, sang sensitively, moved intelligently: this well-schooled singer is maturing handsomely. The axis between her and the ten-year-old Ben Clark’s Miles was the dominant force of the performance…“ Governess in Britten's 'The Turn of the Screw', Byre Opera; Andrew Clark, Opera Magazine. (2016)

“Caroline Taylor gave a sweetly expressive performance as Elsie. ‘The night is calm’, her aria sung on the road to Salerno, is one of the highlights of the score and she delivered it beautifully." Elsie in Sullivan's 'The Golden Legend', University of St Andrews Gilbert and Sullivan Society; Iain Fraser, Opera Scotland. (2016)

“The manifestation of Quint (Chris Huggon) and Miss Jessel (Catherine Hooper) here are very real, but soprano Caroline Taylor – about to begin her Masters studies at the Royal Northern College of Music – suggests other interpretations in the anxious Governess she presents from the beginning. Her diction in particular is exemplary […] A testament to the quality of the music-making at St Andrews, it is to be hoped the department has upcoming vocal talents to match those of Taylor and Huggon for its upcoming production of Janacek’s Cunning Little Vixen.” Governess in Britten's 'The Turn of the Screw', Byre Opera; Keith Bruce, Herald Scotland. (2016)

Caroline Taylor studies at the Royal Northern College of Music under Louise Winter. Prior to this, she read for an MA (Hons) in French, Italian and Spanish at the University of St Andrews, where she graduated as the recipient of the Cedric Thorpe Davie Memorial Prize. She is generously supported by an RNCM Oglesby Scholarship, the Mario Lanza Educational Foundation, the Lynn Foundation, the Clemence Charitable Settlement and Help Musicians UK, with whom she holds a Maidment Award. Her previous teachers include Anthony Roden and Jonathan May.

At the RNCM, Caroline won the 2018 Joyce and Michael Kennedy Award for Singing of Strauss and the 2017 Brodsky Cross-School Prize with her chamber ensemble, the Lucrezia Trio; she was also a finalist in the 2018 Concerto Competition. She represented the RNCM in the 2018 Sir Anthony Lewis Memorial Prize with Musica Britannica, winning first prize, and in the 2018 Gerald Moore Award with pianist Sid Ramchander. She is a member of the 2018 Opera North Chorus Mentor Scheme, an RNCM Songster and a Leeds Lieder Young Artist; and has recently become a Concordia Foundation Artist, with recitals planned in June and October 2019.

Concert performances include soprano soloist in Monteverdi/Vespers of 1610 (Phoenix Singers), Handel/Messiah (Chesterfield Philharmonic Choir), Vivaldi/Gloria (Anstruther Philharmonic Society), Bach/Mass in B Minor (Kellie Consort) and St John Passion (Chester Music Society), Handel/Jephtha (St Andrews Chorus), Vaughan Williams/Sinfonia Antarctica (Dundee Symphony Orchestra), Britten/Les Illuminations (Northern Ballet Sinfonia) and the chamber arrangement of Mahler Symphony No. 4 (Helix Ensemble). Opera credits include Lauretta/Gianni Schicchi (RNCM Opera), Helena/The Enchanted Island (British Youth Opera), Governess/The Turn of the Screw and Miss Wordsworth/Albert Herring (Byre Opera), Yum-Yum/The Mikado (Southampton Operatic Society), Papagena/The Magic Flute (St Andrews Voices) and scenes as Tina/Flight, Suzel/L’amico Fritz and Blanche de la Force/Dialogues des Carmélites (RNCM) and Sophie/Der Rosenkavalier (Edinburgh Festival Fringe). In June 2018, she created the role of Sara in Ben Kaye and Adam Gorb’s The Path to Heaven.

Caroline looks forward to taking part in the Final of the RNCM Gold Medal later this year, accompanied by David Jones. She also joins Byre Opera as She in the European premiere of Madeleine Dring’s Cupboard Love.

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